historyВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series2073-6355RSUH10.28995/2686-7249-2021-5-126-147history-1016Research ArticleВИЗУАЛЬНЫЕ ИССЛЕДОВАНИЯVISUAL STUDIESТема Экклезии в мозаичных композициях римских апсид как отражение коммуникативных визуальных стратегий папской властиThe Ecclesia theme in the apsidal mosaics of Rome as a reflection of the communicative visual strategies of the papal powerГолубеваИ. В.GolubevaI. V.

Ирина В. Голубева, соискатель

199034, Санкт-Петербург, Университетская наб., д. 17

Irina V. Golubeva, applicant

bld. 17, Universitetskaya Emb., Saint Petersburg, 199034

 

igolubeva@yandex.ruСанкт-Петербургская академия художеств им. Ильи РепинаРоссияSt. Petersburg Repin Academy of ArtRussian Federation20211211202105126147Copyright © Голубева И.В., 20212021Голубева И.В.Golubeva I.V.This work is licensed under a Creative Commons Attribution 4.0 License.https://history.rsuh.ru/jour/article/view/1016

Многие исследования последних лет нацелены на установление факторов, влиявших на иконографическую программу в апсидах римских базилик, а также на новое, более глубокое понимание семантики изображенных сюжетов. Автор статьи рассматривает мозаичные композиции, стремясь продемонстрировать характерные аспекты (литургический, стилистический и политический) визуальных папских стратегий, которые в разные исторические периоды отражались в зашифрованных «посланиях» понтификов. В связи с литургикой изучаются как иконографические модели, так и надписи внутри композиции (литургические тексты, цитаты из Священного Писания). В стилистическом аспекте рассматривается живописный инструментарий, задействованный римскими художниками, и выявляется их обращение к наcледию прошлого. Одним из проявлений такого обращения стало, в частности, широкое заимствование палеохристианских моделей и схем в связи с последствиями провозглашенной Григорием VII реформы Церкви и с отражением в искусстве концепции Ecclesia primitiva. Политический аспект визуальной коммуникации предполагает обоснование, в первую очередь, различных мотивов иконографического выбора того или иного образа Римской Церкви, появляющегося в апсиде, установление зависимости декоративной программы от исторической и политической ситуации.

A number of researches in recent years have been aimed at revealing the factors that influenced the iconographic program in the apses of the basilicas in Rome as well as at a new, deeper understanding of the semantics of the depicted themes. The paper is focused on the mosaic compositions in Roman apses; it is intended to demonstrate three typical aspects (liturgical, stylistic and political) of the visual papal strategies that are reflected in the encrypted “messages” of the pontiffs in different times. Both iconographic models and inscriptions within the composition – liturgical texts, quotations from scripture – are studied in the connection with the liturgics. In the context of the stylistic analysis, the author considers the pictorial tools used by the Roman artists, thus trying to reveal their appeal to the heritage of the past. A manifestation of such a reference was reflected, particularly, in the widespread adoption of paleochristian models and schemes, which succeeded the reform of the Church, proclaimed by Gregory VII, and also were connected with the concept of Ecclesia primitiva. The political aspect of visual communication is represented in the selection of images of the Roman Church that appeared in the apse. The author seeks to understand the causality associated with the chosen iconographical program and the historical and political situation.

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The authors declare that there are no conflicts of interest present.