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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">ВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2022-6-182-191</article-id><article-id custom-type="elpub" pub-id-type="custom">history-1258</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ФИЛОЛОГИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOLOGY</subject></subj-group></article-categories><title-group><article-title>Инверсия как явление нарративного палимпсеста: «Школа для дураков» С. Соколова и «Мелкий бес» Ф. Сологуба</article-title><trans-title-group xml:lang="en"><trans-title>Inversion as a phenomenon of narrative palimpsest. Sokolov’s ‘School for Fools’ and Sologub’s ‘The Petty Devil’</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Щукина</surname><given-names>Ж. В.</given-names></name><name name-style="western" xml:lang="en"><surname>Shukina</surname><given-names>Zh. V.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Жанна В. Щукина, аспирант</p><p>125047, Россия, Москва, Миусская пл., д. 6 </p></bio><bio xml:lang="en"><p>Zhanna V. Shukina, Russian, postgraduate student</p><p>bld. 6, Miusskaya Sq., Moscow, 125047</p></bio><email xlink:type="simple">vani7375@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru">Российский государственный гуманитарный университет<country>Россия</country></aff><aff xml:lang="en">Russian State University for the Humanities<country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2022</year></pub-date><pub-date pub-type="epub"><day>11</day><month>12</month><year>2022</year></pub-date><volume>0</volume><issue>6 (2)</issue><fpage>182</fpage><lpage>191</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Щукина Ж.В., 2022</copyright-statement><copyright-year>2022</copyright-year><copyright-holder xml:lang="ru">Щукина Ж.В.</copyright-holder><copyright-holder xml:lang="en">Shukina Z.V.</copyright-holder><license license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/1258">https://history.rsuh.ru/jour/article/view/1258</self-uri><abstract><p>В статье рассмотрен такой вид интертекстуальных связей, как нарративный палимпсест. Исследована его роль в поэтике неклассической художественности, где он имеет особый статус – статус культурного кода.На примере двух произведений (Ф. Сологуба «Мелкий бес» и С. Соколова «Школа для дураков»), репрезентирующих нарратив аномального сознания, предпринята попытка показать, что текст Ф. Сологуба стал палимпсестным претекстом к произведению С. Соколова.</p></abstract><trans-abstract xml:lang="en"><p>The article deals with such type of intertextual relations as narrative palimpsest. Its role in the poetics of non-classical artistry, where it has a special status – the status of the cultural code, is studied.On the example of two works (F. Sologub’s “The Petty Devil” and S. Sokolov’s “School for Fools”), which represent the narrative of abnormal consciousness, the author tries to show that F. Sologub’s text became a palimpsest pretext for the work of S. Sokolov.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>нарративный палимпсест</kwd><kwd>инверсия</kwd><kwd>нарратив аномального сознания</kwd></kwd-group><kwd-group xml:lang="en"><kwd>narrative palimpsest</kwd><kwd>inversion</kwd><kwd>narrative of abnormal consciousness</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Липовецкий 1997 – Липовецкий М.Н. Русский постмодернизм: Очерки исторической поэтики. Екатеринбург: Урал. гос. пед. ун-т, 1997. 317 с.</mixed-citation><mixed-citation xml:lang="en">Lipovetsky, M.N (1997), Russkii postmodernism. Ocherki istoricheskoi poetiki [Russian postmodernism. Essays on historical poetics], Ekaterinburg, Russia.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Сконечная 2015 – Сконечная О. 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