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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">ВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2024-10-25-33</article-id><article-id custom-type="elpub" pub-id-type="custom">history-1707</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ФИЛОЛОГИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>PHILOLOGY</subject></subj-group></article-categories><title-group><article-title>О концепции художественной интеграции в теории современной культуры и искусства</article-title><trans-title-group xml:lang="en"><trans-title>On the concept of artistic integration in the theory of modern art</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Гуревич</surname><given-names>Л. С.</given-names></name><name name-style="western" xml:lang="en"><surname>Gurevich</surname><given-names>L. S.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Любовь С. Гуревич, доктор филологических наук, доцент</p><p>119034, Москва, ул. Остоженка, д. 38, стр. 1</p></bio><bio xml:lang="en"><p>Lyubov S. Gurevich, Dr. of Sci. (Philology), associate professor</p><p>bld. 38/1, Ostozhenka Street, Moscow, 119034</p></bio><email xlink:type="simple">gurevich_ls@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Московский государственный лингвистический университет</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Moscow State Linguistic University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2024</year></pub-date><pub-date pub-type="epub"><day>28</day><month>11</month><year>2024</year></pub-date><volume>0</volume><issue>10</issue><fpage>25</fpage><lpage>33</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Гуревич Л.С., 2024</copyright-statement><copyright-year>2024</copyright-year><copyright-holder xml:lang="ru">Гуревич Л.С.</copyright-holder><copyright-holder xml:lang="en">Gurevich L.S.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/1707">https://history.rsuh.ru/jour/article/view/1707</self-uri><abstract><p>В статье дается анализ концепции художественной интеграции, предложенной в 2013 г. М.В. Дуцевым для научного исследования новейшей архитектуры, в применении к другим объектам искусства на основании того, что многие из них обладают интегративными свойствами, входящими в исследовательские поля различных гуманитарных наук. Объединение разных культурно-семиотических кодов в произведении искусства становится главной причиной проведения междисциплинарных исследований. Между тем синкретичность предметов культуры и искусства становится главной проблемой в таком исследовании, требующей выработки нового интегративного метода научного анализа. На примере феномена авторской детской книги в статье анализируются виды, способы и причины художественной интеграции, предлагаются способы научного описания подобных междисциплинарных объектов исследования.</p></abstract><trans-abstract xml:lang="en"><p>The article provides an analysis of the concept of artistic integration proposed in 2013 by M.V. Dutsev for the scientific study of modern architecture as applied to other objects of art, on the basis that many of them have integrative properties that are included in the research fields of various humanities. Combining different cultural and semiotic codes in a work of art becomes the main reason for conducting interdisciplinary research. Meanwhile, the syncretism of cultural and art objects becomes the main issue in such a study, requiring the development of a new integrative method for scientific analysis. Using the phenomenon of the author’s children’s book as an example, the article analyzes the types, methods and causes of artistic integration, suggests ways of scientific description of such interdisciplinary research objects.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>концепция художественной интеграции</kwd><kwd>синкретизм</kwd><kwd>синергия</kwd><kwd>детская авторская книга</kwd><kwd>гештальтное восприятие</kwd><kwd>междисциплинарность</kwd><kwd>предмет искусства</kwd></kwd-group><kwd-group xml:lang="en"><kwd>the concept of artistic integration</kwd><kwd>syncretism</kwd><kwd>synergy</kwd><kwd>children’s author’s book</kwd><kwd>gestalt perception</kwd><kwd>interdisciplinarity</kwd><kwd>the subject of art</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Аббасов 2016 – Аббасов И.Б. Визуальное восприятие. 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