<?xml version="1.0" encoding="UTF-8"?>
<!DOCTYPE article PUBLIC "-//NLM//DTD JATS (Z39.96) Journal Publishing DTD v1.3 20210610//EN" "JATS-journalpublishing1-3.dtd">
<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ. Серия: Литературоведение. Языкознание. Культурология</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2025-1-64-77</article-id><article-id custom-type="elpub" pub-id-type="custom">history-1754</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>РЕГИОНАЛЬНОЕ И РАСОВОЕ ИЗМЕРЕНИЕ АМЕРИКАНСКОЙ ГЛУБИНКИ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>THE REGIONAL AND RACIAL DIMENSION OF THE AMERICAN HEARTLAND</subject></subj-group></article-categories><title-group><article-title>У нас это возможно: «фашизм сердца» и американский Средний Запад в романе У. Гэсса «Тоннель»</article-title><trans-title-group xml:lang="en"><trans-title>It can happen here. “The fascism of the heart” and the U.S. Midwest in “The Tunnel” by William Gass</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Никулина</surname><given-names>А. К.</given-names></name><name name-style="western" xml:lang="en"><surname>Nikulina</surname><given-names>A. K.</given-names></name></name-alternatives><bio xml:lang="ru"><p>Алла К. Никулина, кандидат филологических наук, доцент</p><p>450008, Уфа, ул. Октябрьской революции, д. 3а</p></bio><bio xml:lang="en"><p>Alla K. Nikulina, Cand. of Sci. (Philology), associate professor</p><p>3a, Oktyabrskoi revolutsii St., Ufa, 450008</p></bio><email xlink:type="simple">alla_nikoulina@mail.ru</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Башкирский государственный педагогический университет им. М. Акмуллы</institution><country>Россия</country></aff><aff xml:lang="en"><institution>M. Akmulla Bashkir State Pedagogical University</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2025</year></pub-date><pub-date pub-type="epub"><day>05</day><month>03</month><year>2025</year></pub-date><volume>0</volume><issue>1</issue><fpage>64</fpage><lpage>77</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Никулина А.К., 2025</copyright-statement><copyright-year>2025</copyright-year><copyright-holder xml:lang="ru">Никулина А.К.</copyright-holder><copyright-holder xml:lang="en">Nikulina A.K.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/1754">https://history.rsuh.ru/jour/article/view/1754</self-uri><abstract><p>В статье анализируется значимость нравственно-этического содержания философского романа Уильяма Гэсса «Тоннель». Несмотря на важность для авторского замысла внешних деталей организации текста, писатель намеренно заостряет внимание на проблемах морального выбора, затрагивающих основы человеческого существования. На примере судьбы центрального персонажа произведения – профессора среднезападного университета США, пишущего работу о немецком фашизме, – автор раскрывает внутренний путь, ведущий человека от размышлений о собственной неудовлетворительной жизни к неприятию мира в целом, желании выместить на нем обиду за собственные неудачи. Роман вырастает в значимое исследование универсальной человеческой ситуации, «фашизма сердца» как психологического фактора, формирующегося задолго до превращения фашизма в политическое явление. В статье утверждается мысль о сознательности и целенаправленности обращения писателя к теме моральной ответственности человека за совершаемый им личностный выбор и последовательном ее раскрытии на протяжении всего повествования. Привлекая читателя изображением узнаваемых ситуаций, логичностью и убедительностью рассуждений главного персонажа, Гэсс стремится предостеречь его от необдуманных действий, показывая, с какой легкостью современный человек оказывается способен перешагнуть невидимую внутреннюю границу, отделяющую его от чудовища, если позволит собственному сознанию некритично принимать факты и поддаваться воле обстоятельств.</p></abstract><trans-abstract xml:lang="en"><p>The article discloses the importance of moral and ethical themes in “The Tunnel”, the philosophical novel by William Н. Gass. Despite the primary attention given to the formal elements of the text organization, the writer, at the same time, deliberately focuses on the problems of moral choice, ﬁnding the latter crucial for the continuation of human existence. Developing the story of the central character, a professor at the U.S. Midwestern university, who is ﬁnishing a long study on German fascism, the author reveals the danger of passing from ruminating about one’s own unsatisfactory life to rejection of the world at large and a desire to take revenge on it for one’s own failures. The novel grows into a signiﬁcant study of the universal human situation, the “fascism of the heart” as a psychological factor that is formed long before fascism turns into a political phenomenon. The article reveals the writer’s conscious and intentional desire to discuss the topic of moral responsibility of a person in the situation of an individual choice, and demonstrates its consecutive realization throughout the narrative. Luring the readers into recognizable situations with the help of logical and convincing reasoning on the part of the main character, Gass seeks to warn them against rash actions, showing how easily civilized people could step over the invisible inner boundaries separating them from “monsters” if they allow their consciousness to accept facts uncritically and fail to resist the circumstances.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Уильям Гэсс</kwd><kwd>философский роман</kwd><kwd>фашизм</kwd><kwd>Средний Запад</kwd></kwd-group><kwd-group xml:lang="en"><kwd>William Gass</kwd><kwd>philosophical novel</kwd><kwd>fascism</kwd><kwd>Midwest</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Никулина, Баранова 2023 – Никулина А.К., Баранова Н.В. Художественный образ американского Среднего Запада в романах У. Гэсса и Д.Ф. Уоллеса как метафора человеческого существования // Вестник Пермского университета. Российская и зарубежная филология. 2023. Т. 15. Вып. 1. С. 103–112.</mixed-citation><mixed-citation xml:lang="en">Auerbach, D. (2020), “Glass and dirt. ‘The Tunnel’ in twelve antitheses”, The Tunnel at 25. An online symposium. 2020, available at: https://thetunnelat25.com/glass-anddirt-the-tunnel-in-twelve-antitheses/ (Accessed 5 June 2022).</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Auerbach 2020 – Auerbach D. Glass and dirt. “The Tunnel” in twelve antitheses // The Tunnel at 25. An online symposium. 2020. URL: https://thetunnelat25.com/glassand-dirt-the-tunnel-in-twelve-antitheses/ (дата обращения 05.06.2022).</mixed-citation><mixed-citation xml:lang="en">Hix, H.L. (2002), Understanding William H. Gass, University of South Carolina Press, Columbia, SC, USA.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Hix 2002 – Hix H.L. Understanding William H. Gass. Columbia: University of South Carolina Press, 2002. 189 p.</mixed-citation><mixed-citation xml:lang="en">Kellman, S.G. (2020), “ ‘The Tunnel’ into the future”, The Tunnel at 25. An online symposium, available at: https://thetunnelat25.com/the-tunnel-into-the-future/ (Accessed 5 June 2022).</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Kellman 2020 – Kellman S.G. ‘The Tunnel’ into the future // The Tunnel at 25. An online symposium. 2020. URL: https://thetunnelat25.com/the-tunnel-into-thefuture/ (дата обращения 05.06.2022).</mixed-citation><mixed-citation xml:lang="en">LeClair, T. (1977), “The art of ﬁction”, The Paris Review, iss. 70, available at: https://www.theparisreview.org/interviews/3576/the-art-of-ﬁction-no-65-william-gass (Accessed 3 June 2022).</mixed-citation></citation-alternatives></ref><ref id="cit5"><label>5</label><citation-alternatives><mixed-citation xml:lang="ru">LeClair 1977 – LeClair T. The art of ﬁction // The Paris Review. 1977. Iss. 70. URL: https://www.theparisreview.org/interviews/3576/the-art-of-ﬁction-no-65-williamgass (дата обращения 03.06.2022).</mixed-citation><mixed-citation xml:lang="en">Madera, J. (2013), “Sentenced to depth”, Rain Taxi, Spring, available at: https://medium.com/the-william-h-gass-interviews/william-h-gass-interviewed-by-johnmadera-2012-4b48ee6fd0c4#.5mcgjotdc (Accessed 1 June 2022).</mixed-citation></citation-alternatives></ref><ref id="cit6"><label>6</label><citation-alternatives><mixed-citation xml:lang="ru">Madera 2013 – Madera J. Sentenced to depth // Rain Taxi. Spring 2013. URL: https://medium.com/the-william-h-gass-interviews/william-h-gass-interviewed-by-johnmadera-2012-4b48ee6fd0c4#.5mcgjotdc (дата обращения 01.06.2022).</mixed-citation><mixed-citation xml:lang="en">Nikulina, A.K. and Baranova, N.V. (2023), “The artistic image of the U.S. Midwest in the novels by W. Gass and D.F. Wallace as a metaphor of human existence”, Perm University Herald. Russian and Foreign Philology, vol. 15, iss. 1, pp. 103–112.</mixed-citation></citation-alternatives></ref><ref id="cit7"><label>7</label><citation-alternatives><mixed-citation xml:lang="ru">Saltzman 1991 – Saltzman A.M. Language and conscience // The Review of Contemporary Fiction. Fall 1991. URL: https://medium.com/the-william-h-gassinterviews/william-h-gass-interviewed-by-arthur-m-saltzman-1991-40d86feafe73 (дата обращения 01.06.2022).</mixed-citation><mixed-citation xml:lang="en">Saltzman, A.M. (1991),“Language and conscience”, The Review of Contemporary Fiction, Fall, available at: https://medium.com/the-william-h-gass-interviews/william-hgass-interviewed-by-arthur-m-saltzman-1991-40d86feafe73 (Accessed 1 June 2022).</mixed-citation></citation-alternatives></ref><ref id="cit8"><label>8</label><citation-alternatives><mixed-citation xml:lang="ru">Silverblatt 1995 – Silverblatt M. A small apartment in hell // Los Angeles Times. 1995. March 19. URL: https://www.latimes.com/archives/la-xpm-1995-03-19-bk-44339-story.html (дата обращения 05.06.2022).</mixed-citation><mixed-citation xml:lang="en">Silverblatt, M. (1995), “A small apartment in hell”, Los Angeles Times, March 19, available at: https://www.latimes.com/archives/la-xpm-1995-03-19-bk-44339-story.html (Accessed 5 June 2022).</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
