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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">ВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2017-10-2-289-305</article-id><article-id custom-type="elpub" pub-id-type="custom">history-399</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>МЕДИАИССЛЕДОВАНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>MEDIA STUDIES</subject></subj-group></article-categories><title-group><article-title>Сторителлинг о «реальных преступлениях» в аудио-подкастах: способы взаимодействия авторов и аудитории</article-title><trans-title-group xml:lang="en"><trans-title>Storytelling about “True Crimes” in Audio Podcasts: Ways of Interaction between the Authors and the Audience</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Саламова</surname><given-names>Земфира Каурбековна</given-names></name><name name-style="western" xml:lang="en"><surname>Salamova</surname><given-names>Zemfira</given-names></name></name-alternatives><email xlink:type="simple">zemfirasalamova@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Российский государственный гуманитарный университет; Национальный исследовательский университет «Высшая школа экономики»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Russian State University for the Humanities; National Research University Higher School of Economics</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2017</year></pub-date><pub-date pub-type="epub"><day>25</day><month>11</month><year>2018</year></pub-date><volume>0</volume><issue>10-2</issue><fpage>289</fpage><lpage>305</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Саламова З.К., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Саламова З.К.</copyright-holder><copyright-holder xml:lang="en">Salamova Z.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/399">https://history.rsuh.ru/jour/article/view/399</self-uri><abstract><p>Статья рассматривает воплощение жанра «реальное преступление» (англ. true crime) в цифровых медиа на материале развлекательного аудиоподкаста «Мое любимое убийство» (США, 2016 - наст. вр.). В тексте представлен анализ подхода авторов подкаста к повествованию о реальных преступлениях, проведенный с целью ответить на вопрос: какие возможности предоставляют аудио-подкасты для взаимодействия авторов нарративов в жанре «реальное преступление» и их аудитории? Исследование опирается на теорию Генри Дженкинса об партиципаторной культуре (или «культуре соучастия»). Независимый статус ведущих подкаста и их саморепрезентация как фанатов жанра «реальное преступление» позволяют им участвовать в циркуляции и производстве популярной культуры, строить виртуальное сообщество единомышленников.</p></abstract><trans-abstract xml:lang="en"><p>The article explores the realization of “true crime” genre in digital media. The object of this research is the podcast “My Favorite Murder” (USA, 2016-present day). The author aims to answer the question: what possibilities for interaction between the creators of“true crime” narratives and their audience do audio-podcasts offer?Henry Jenkins’s theory about “participatory culture” is crucial for this study. The independent status of the hosts of the podcast and their self-identification as fans of “true crime” genre allows them to participate in circulation and production of popular culture and to create a virtual community.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>цифровой сторителлинг</kwd><kwd>аудио-подкаст</kwd><kwd>«реальное преступление»</kwd><kwd>партиципаторная культура</kwd><kwd>фанатские практики</kwd><kwd>виртуальные сообщества</kwd><kwd>digital storytelling</kwd><kwd>audio-podcast</kwd><kwd>“true crime”</kwd><kwd>participatory culture</kwd><kwd>fan practices</kwd><kwd>virtual community</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Biressi A. Crime, Fear and the Law in True Crime Stories. N. Y.: Palgrave Macmillan, 2001. P. 21.</mixed-citation><mixed-citation xml:lang="en">Biressi A. Crime, Fear and the Law in True Crime Stories. N. 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