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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ. Серия: Литературоведение. Языкознание. Культурология</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2017-9-65-81</article-id><article-id custom-type="elpub" pub-id-type="custom">history-439</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ВИЗУАЛЬНЫЕ ИССЛЕДОВАНИЯ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>VISUAL STUDIES</subject></subj-group></article-categories><title-group><article-title>Имперский орел под деревом с фаллосами: иконография фрески «Источник изобилия» в Масса Мариттима (вторая половина XIII в.)</article-title><trans-title-group xml:lang="en"><trans-title>The Imperial Eagle under the Phallus Tree. Iconography of the Fresco “The Source of Abundance” in Massa Marittima (second half of the 13th century)</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Харман</surname><given-names>Дильшат Догановна</given-names></name><name name-style="western" xml:lang="en"><surname>Kharman</surname><given-names>Dilshat</given-names></name></name-alternatives><email xlink:type="simple">dilshat.harman@gmail.com</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Информационно-аналитический центр «СОВА»</institution><country>Россия</country></aff><aff xml:lang="en"><institution>SOVA Center for Information and Analysis</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2017</year></pub-date><pub-date pub-type="epub"><day>25</day><month>11</month><year>2018</year></pub-date><volume>0</volume><issue>9</issue><fpage>65</fpage><lpage>81</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Харман Д.Д., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Харман Д.Д.</copyright-holder><copyright-holder xml:lang="en">Kharman D.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/439">https://history.rsuh.ru/jour/article/view/439</self-uri><abstract><p>Статья посвящена иконографическому анализу фрески XIII в., расположенной внутри здания источника в Масса Мариттима (Гроссето). Уникальное сочетание мотива «перевернутого мира» с символикой Священной Римской империи делает данное изображение интереснейшим памятником светского средневекового искусства и позволяет нам лучше понять, как могли меняться, в зависимости от политического контекста, функции общественных образов. В тексте прослеживается история иконографии «дерева с фаллосами» и дается возможная интерпретация появления герба гибеллинов рядом с ним.</p></abstract><trans-abstract xml:lang="en"><p>The article is dedicated to the iconographical analysis of the13th century wall painting inside the fountain in Massa Maritima (Grosseto). The unique combination of the “world turned upside down”motif with the symbols of the Holy Roman Empire makes this fresco the most interesting piece of secular medieval art and allows us to better understand how functions of public images could alter according to the political context. The author researches the “phallus tree” iconography and gives possible interpretation for the appearance of the Ghibelline coat of arms next to it.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>светская иконография</kwd><kwd>гибеллины</kwd><kwd>гвельфы</kwd><kwd>XIII в</kwd><kwd>фаллос</kwd><kwd>Масса Мариттима</kwd><kwd>перевернутый мир</kwd><kwd>secular iconography</kwd><kwd>Ghibellines</kwd><kwd>Guelphs</kwd><kwd>13th century</kwd><kwd>phallus</kwd><kwd>Massa Maritima</kwd><kwd>world turned upside down</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Ferzoco G. The Massa Marittima Mural. Regional Council of Tuscany Central Communication Unit, 2004.</mixed-citation><mixed-citation xml:lang="en">Ferzoco G. The Massa Marittima Mural. 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