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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">Вестник РГГУ. Серия: Литературоведение. Языкознание. Культурология</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2073-6355-2018-3-7-15</article-id><article-id custom-type="elpub" pub-id-type="custom">history-498</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>ОЛЬГА МИХАЙЛОВНА ФРЕЙДЕНБЕРГ В НАУКЕ, ЛИТЕРАТУРЕ, ИСТОРИИ. МАТЕРИАЛЫ XXIII ЛОТМАНОВСКИХ ЧТЕНИЙ</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>OLGA MIKHAILOVNA FREIDENBERG IN SCIENCE, LITERATURE, HISTORY. PROCEEDINGS OF THE 23ST LOTMAN CONFERENCE</subject></subj-group></article-categories><title-group><article-title>Не для красоты: концепция метафоры по О.М. Фрейденберг в античности и современности</article-title><trans-title-group xml:lang="en"><trans-title>Against ornament: O.M. Freidenberg’s concept of metaphor in Ancient and Modern contexts</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Мартин</surname><given-names>Ричард</given-names></name><name name-style="western" xml:lang="en"><surname>Martin</surname><given-names>Richard</given-names></name></name-alternatives><email xlink:type="simple">richard.martin@stanford.edu</email><xref ref-type="aff" rid="aff-1"/></contrib></contrib-group><aff-alternatives id="aff-1"><aff xml:lang="ru"><institution>Cтэнфордский университет (США)</institution><country>Россия</country></aff><aff xml:lang="en"><institution>Stanford University (USA)</institution><country>Russian Federation</country></aff></aff-alternatives><pub-date pub-type="collection"><year>2018</year></pub-date><pub-date pub-type="epub"><day>25</day><month>11</month><year>2018</year></pub-date><volume>0</volume><issue>3-1</issue><fpage>7</fpage><lpage>15</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Мартин Р., 2018</copyright-statement><copyright-year>2018</copyright-year><copyright-holder xml:lang="ru">Мартин Р.</copyright-holder><copyright-holder xml:lang="en">Martin R.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/498">https://history.rsuh.ru/jour/article/view/498</self-uri><abstract><p>Труды О.М. Фрейденберг сохраняют актуальность не только в связи с новейшими теориями метафоры, но также в качестве эвристического инструмента для изучения архаической греческой поэзии. Почти за полвека до Дж. Лакоффа и его круга ее исследование метафоры предвосхитило появление всеобщего интереса к когнитивной функции метафоры. В отличие от современных когнитивистов Фрейденберг рассматривала метафору (как и любой вид иносказания) диахронически. Она утверждала, что метафорические образы происходят из их собственных мифологических предшественников, в то время как их риторическая (художественная) функция является продолжением более ранней когнитивной функции. Реликты примитивной мысли Фрейденберг считала «культурными переживаниями» коллективных представлений о мире.</p></abstract><trans-abstract xml:lang="en"><p>Freidenberg’s work might still be of relevance, not just in relation to more recent theories of metaphor, but also as a heuristic device in the study of archaic Greek poetry. Almost half of a century earlier than Lakoff and his circle Freidenberg’s researches of metaphor anticipated the emergency of the common interest in cognitive function of metaphor. Unlike contemporary cognitivists Freidenberg treated metaphor (as well as any kind of allegory) diachronicaly. She asserted that metaphoric images originate from their mythic predecessors while their rhetorical function in the archaic literature appears to be projections of the earlier cognitive one. Relics of primitive thought Freidenberg treated as “cultural survivals” of a collective belief.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>теория метафоры О.М. Фрейденберг</kwd><kwd>современные когнитивные исследования</kwd><kwd>рождение метафоры из мифологического образа</kwd><kwd>O.M. Freidenberg’s theory of metaphor</kwd><kwd>contemporary cognitive studies</kwd><kwd>collective belief behind metaphoric image</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Martin R.P. Against Ornament: O.M. Freidenberg’s Concept of Metaphor in Ancient and Modern Contexts. Chapter 11 // Persistent Forms: Explorations in Historical Poetics (Verbal Arts) / I. Kliger, B. Maslov (eds.). New York: Fordham University Press, 2015 (Series “Verbal Art: Studies in Poetics”). P. 274-313.</mixed-citation><mixed-citation xml:lang="en">Martin R.P. Against Ornament: O.M. Freidenberg’s Concept of Metaphor in Ancient and Modern Contexts. Chapter 11 // Persistent Forms: Explorations in Historical Poetics (Verbal Arts) / I. Kliger, B. Maslov (eds.). New York: Fordham University Press, 2015 (Series “Verbal Art: Studies in Poetics”). 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