historyВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series2073-6355RSUH10.28995/2686-7249-2019-1-2-231-245history-693Research ArticleРЕНЕССАНСRENAISSANCEКлассицизм как архаизм: мастерская Мацциере и флорентийская живопись конца XV в.Classicism as Archaism: the Mazziere brothers and Florentine painting of the late 15th centuryЛопуховаМ. А.LopukhovaM. A.

Марина А. Лопухова, кандидат искусствоведения, старший преподаватель, исторический факультет

119992, Москва, Ломоносовский пр-т, д. 27, корп. 4

Marina A. Lopukhova, Cand. of Sci. (Art history), head lecturer

bld. 27, enc. 4, Lomonosovskii av., Moscow, 119992

marina.lopukhova@gmail.comМосковский государственный университет имени М.В. ЛомоносоваРоссияLomonosov Moscow State UniversityRussian Federation20191510201901-2231245Copyright © Лопухова М.А., 20192019Лопухова М.А.Lopukhova M.A.This work is licensed under a Creative Commons Attribution 4.0 License.https://history.rsuh.ru/jour/article/view/693

Творчество Аньоло ди Доменико дель Мацциере (1466 - 1513) и его старшего брата Доннино (1460 - после 1515) является ярким образцом локальной художественной традиции, основанной на языке позднего Кватроченто. Художники, вышедшие из мастерской Козимо Росселли, соединили в своих работах, прежде всего в больших алтарных картинах, выполненных ими для трех фамильных капелл семейства Корбинелли в церкви Санто Спирито во Флоренции, приемы и схемы наиболее выдающихся мастеров флорентийской школы. Стиль их живописи, нарядный, уравновешенный и последовательно эклектический, очевидно архаичен на фоне достижений ренессансного искусства первой четверти XVI в., однако он дает наглядное представление о вкусе, своеобразной «языковой норме», «формуле» флорентийской школы, которая была выработана в последней трети XV в. Их работы позволяют определить элементы больших фресковых циклов и алтарей, созданных для аристократических заказчиков прошлого медичейского времени, которые вошли в моду, оказались устойчивыми и перешли в более широкую живописную продукцию.

The work of Agnolo di Domenico del Mazziere (1466 - 1513) and his brother Donnino (1460 - after 1515) represents a local artistic tradition based on late Quattrocento pictorial language. They were pupils of Cosimo Rosselli and combined in their works, primarily large altarpieces made for three family chapels of the Corbinelli family in the church of Santo Spirito in Florence, the approaches and schemes which were practiced by prominent masters of the Florentine school. Their well-balanced and eclectic style is obviously archaic against the background of the achievements of Renaissance art of the first quarter of the sixteenth century; however, their works permit the identification of the decorative elements of large frescoes and altars made for aristocrat-patrons of the Medici period, which became fashionable, then standard and then widely current at all artistic levels. It portrays the tastes, the peculiar idiom, and "formula" of Florentine painting which was worked out in the last third of the fifteenth century.

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The authors declare that there are no conflicts of interest present.