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<article article-type="research-article" dtd-version="1.3" xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance" xml:lang="ru"><front><journal-meta><journal-id journal-id-type="publisher-id">history</journal-id><journal-title-group><journal-title xml:lang="ru">ВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»</journal-title><trans-title-group xml:lang="en"><trans-title>RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series</trans-title></trans-title-group></journal-title-group><issn pub-type="ppub">2073-6355</issn><publisher><publisher-name>RSUH</publisher-name></publisher></journal-meta><article-meta><article-id pub-id-type="doi">10.28995/2686-7249-2019-10-10-20</article-id><article-id custom-type="elpub" pub-id-type="custom">history-754</article-id><article-categories><subj-group subj-group-type="heading"><subject>Research Article</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="ru"><subject>И.Е. ДАНИЛОВА</subject></subj-group><subj-group subj-group-type="section-heading" xml:lang="en"><subject>I.E. DANILOVA</subject></subj-group></article-categories><title-group><article-title>Искусствоведение и культурология: О работах И.Е. Даниловой</article-title><trans-title-group xml:lang="en"><trans-title>Art criticism and cultural studies. About the works of I.E. Danilova</trans-title></trans-title-group></title-group><contrib-group><contrib contrib-type="author" corresp="yes"><name-alternatives><name name-style="eastern" xml:lang="ru"><surname>Баткин</surname><given-names>Л. М.</given-names></name><name name-style="western" xml:lang="en"><surname>Batkin</surname><given-names>L. M.</given-names></name></name-alternatives><bio xml:lang="ru"/><bio xml:lang="en"/></contrib></contrib-group><pub-date pub-type="collection"><year>2019</year></pub-date><pub-date pub-type="epub"><day>09</day><month>03</month><year>2020</year></pub-date><volume>0</volume><issue>10</issue><fpage>10</fpage><lpage>20</lpage><permissions><copyright-statement>Copyright &amp;#x00A9; Баткин Л.М., 2020</copyright-statement><copyright-year>2020</copyright-year><copyright-holder xml:lang="ru">Баткин Л.М.</copyright-holder><copyright-holder xml:lang="en">Batkin L.M.</copyright-holder><license xml:lang="ru" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>Данная работа распространяется под лицензией Creative Commons Attribution 4.0.</license-p></license><license xml:lang="en" license-type="creative-commons-attribution" xlink:href="https://creativecommons.org/licenses/by/4.0/" xlink:type="simple"><license-p>This work is licensed under a Creative Commons Attribution 4.0 License.</license-p></license></permissions><self-uri xlink:href="https://history.rsuh.ru/jour/article/view/754">https://history.rsuh.ru/jour/article/view/754</self-uri><abstract><p>В качестве мемориального материала, посвященного И.Е. Даниловой, предлагается старая статья Л.М. Баткина с некоторыми сокращениями, несмотря на то, что она уже была опубликована. Этот выбор не случаен. Мы выделяем из статьи текст, который касается одной из самых содержательных книг Даниловой, где сосредоточены ее основные работы по искусству восточного и западного Средневековья, а также Ренессанса. И.Е. Данилова была последовательна в изучении искусства периода именно позднего Средневековья, последнего расцвета этой художественной культуры, пограничной между собственно Средневековьем и Новым временем, как на Западе, так и на Востоке. Ее работы в этой области были самостоятельными и во многом новаторскими. И именно эту проблематику ее книги метко комментирует Л.М. Баткин. Кроме того, он делает важный акцент на культурологическом аспекте творчества Даниловой, не работавшей как узко ориентированный искусствовед. И, наконец, эта статья важна как мемориальный материал, касающийся не только самой И.Е. Даниловой, но и творческого взаимодействия и дружбы двух ученых, которые сотрудничали в Институте высших гуманитарных исследований до самой смерти.</p></abstract><trans-abstract xml:lang="en"><p>An old article by L.M. Batkin, with some abridgements, is proposed here as memorial material dedicated to I.E. Danilova, despite the fact that it has already been published. This choice is not accidental. We extract from the article text that relates to one of the most informative of I.E. Danilova’s books, where her main essays concerning the art of the eastern and western Middle Ages, as well as the Renaissance, are concentrated. I.E. Danilova was consistent in studying the art of exactly the late Middle Ages, the last heyday of that artistic culture, on the border of the Middle Ages and the New Age, both in the West and in the East. Her oeuvre in the field was independent and largely innovative. L.M. Batkin commented on precisely those issues of her book. In addition, he put important emphasis on the culturological aspect of the oeuvre of I.E. Danilova, who did not work as a narrowly oriented art historian. Finally, this article is important as memorial material relating not only to I.E. Danilova herself, but also to the creative cooperation and friendship of two researchers who collaborated at the Institute for Advanced Studies in the Humanities until their death.</p></trans-abstract><kwd-group xml:lang="ru"><kwd>Баткин</kwd><kwd>Данилова</kwd><kwd>Cредневековье</kwd><kwd>Ренессанс</kwd><kwd>искусство</kwd><kwd>культура</kwd><kwd>культурология</kwd><kwd>искусствоведение</kwd></kwd-group><kwd-group xml:lang="en"><kwd>Batkin</kwd><kwd>Danilova</kwd><kwd>Middle Ages</kwd><kwd>Renaissance</kwd><kwd>art</kwd><kwd>culture</kwd><kwd>cultural studies</kwd><kwd>art criticism</kwd></kwd-group></article-meta></front><back><ref-list><title>References</title><ref id="cit1"><label>1</label><citation-alternatives><mixed-citation xml:lang="ru">Баткин 1994 – Баткин Л. Пристрастия. Избранные эссе и статьи о культуре М.: ТОО «Курсив-А», 1994. 288 с.</mixed-citation><mixed-citation xml:lang="en">Batkin, L. (1994), Pristrastiya. Izbrannyye esse i stat’i o kul’ture. [Enthusiasms. Selected Essays and Articles on Culture]. TOO “Kursiv-A”, Moscow, Russia.</mixed-citation></citation-alternatives></ref><ref id="cit2"><label>2</label><citation-alternatives><mixed-citation xml:lang="ru">Данилова 1984 – Данилова И.Е. Искусство Средних веков и Возрождения. Работы разных лет. М.: Советский художник, 1984. 408 с.</mixed-citation><mixed-citation xml:lang="en">Danilova, I. (1984), Iskusstvo Srednikh vekov i Vozrozhdeniya. Raboty raznykh let [Art of Middle Ages and Renassance. Articles of different years], Sovetskii khudozhnik, Moscow, Russia.</mixed-citation></citation-alternatives></ref><ref id="cit3"><label>3</label><citation-alternatives><mixed-citation xml:lang="ru">Baxandall 1971 – Baxandall M. Giotto and the Orators. Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition. 1350-1450. Oxford: Oxford University Press, 1971. P.198.</mixed-citation><mixed-citation xml:lang="en">Baxandall, M. (1971), Giotto and the Orators. Humanist Observers of Painting in Italy and the Discovery of Pictorial Composition. 1350­1450, Oxford University Press, Oxford, UK.</mixed-citation></citation-alternatives></ref><ref id="cit4"><label>4</label><citation-alternatives><mixed-citation xml:lang="ru">Baxandall 1972 – Baxandall M. Painting and Experience in Fifteenth-Century Italy: a primer in the social history of pictorial style. Oxford: Clarendon Press, 1972. P. 165.</mixed-citation><mixed-citation xml:lang="en">Baxandall, M. (1972), Painting and Experience in Fifteenth­Century Italy: a primer in the social history of pictorial style, Clarendon Press, Oxford, UK.</mixed-citation></citation-alternatives></ref></ref-list><fn-group><fn fn-type="conflict"><p>The authors declare that there are no conflicts of interest present.</p></fn></fn-group></back></article>
