historyВЕСТНИК РГГУ. Серия «Литературоведение. Языкознание. Культурология»RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series2073-6355RSUH10.28995/2686-7249-2019-10-21-37history-755Research ArticleАНТИЧНОСТЬANTIQUITYКипрские сцены со сфинксами у Мирового древа: композиционная и смысловая спецификаCypriot scenes with sphinxes at the World Tree. Compositional and semantic featuresКалиничевД. А.KalinichevD. A.

Дмитрий А. Калиничев

Россия, 119019, Москва, ул. Волхонка, д. 12

Dmitry A. Kalinichev

bld. 12, Volkhonka str., Moscow, 119019, Russia

kalinzar@mail.ruГосударственный музей изобразительных искусств им. А.С. ПушкинаРоссияThe Pushkin State Museum of Fine ArtsRussian Federation2019090320200102137Copyright © Калиничев Д.А., 20202020Калиничев Д.А.Kalinichev D.A.Данная работа распространяется под лицензией Creative Commons Attribution 4.0.This work is licensed under a Creative Commons Attribution 4.0 License.https://history.rsuh.ru/jour/article/view/755

Геральдическая композиция со сфинксами и Мировым древом появляется на Кипре в позднем бронзовом веке (1600–1050 до н. э.), но ее достоверные воспроизведения местными мастерами известны лишь начиная с архаического периода (750–480 до н. э.). Преобладание таких изображений на востоке и юго-востоке острова дает повод связывать их с финикийской экспансией. К характерным чертам кипрской иконографии относятся восходящее движение сфинксов и вдыхание ими аромата цветков лотоса, представленных как часть Мирового древа. Противопоставление дневного и ночного, а также верхнего и нижнего начал, которое находит выражение в деталях кипрских вариантов композиции со сфинксами, позволяет рассматривать ее в контексте символики возрождения умерших.

The heraldic composition with sphinxes and the World Tree appears in Cyprus in the Late Bronze Age (1600–1050 BC), but its reproduction by local masters is known only from the Cypro-archaic period (750–480 BC). The predominance of such images in the Еast and South-East of Cyprus provides reason to associate them with Phoenician expansion. The characteristic features of Cypriot iconography include the ascending movement of the sphinxes. In many cases they inhale the fragrance of lotus flowers, which appear as parts of the World Tree. The contrast between diurnal and nocturnal, as well as between the upper and lower worlds, expressed in the details of the Cypriot versions of the composition with sphinxes, invites examination of it in the context of Resurrection symbolism.

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The authors declare that there are no conflicts of interest present.