Introduction to biofiction. History and biography by the modern Italian writers
https://doi.org/10.28995/2686-7249-2023-3-282-290
Abstract
The article highlights the specific features of the hybrid genre of biographical writing (also known as «fictional biography»), which has been theorized since the 1990s in France. The biographical novel is a fictional work about a real-life person with elements of authorial fiction. On the textual level, the subject of “hybridization” in biofiction can be both the content plan (speculation of events built around the documentary basis) and the form plan (use of indirect speech, stream of consciousness, insertion of other people’s text, etc.).
At the pragmatic level, there is a breakdown of the traditional relationship between reader and text, as information recognized by the reader as fiction is presented as a biographical fact. The article also maps out a circle of questions for researchers and literary critics to address, in particular, the issue of genre boundaries and the development of terminology, the issue of the relationship between a character of biofiction and his historical prototype, the issue of relationship between an author and his work, the issue of the influence of new cultural and media factors on genres of biographical writing.
About the Author
T. A. BystrovaRussian Federation
Tat’yana A. Bystrova, Cand. of Sci. (Philology)
bld. 6, Miusskaya Square, Moscow, 125047
References
1. Berezan, M.P. (2013), “Evolution of biography as a genre”, Istoricheskaya poetica zhanra, Priamurskii gosudarstvennyi universitet im. Sholom-Aleikhema, no 5, pp. 27–32.
2. Boldrini, L. (2012) Autobiographies of others: Historical subject and literary fiction, Routledge, London, UK.
3. Boldrini, L. and Novak, J. (2017), Experiments in life-writing. Intersections of auto / biography and fiction, Palgrave Macmillan, London, UK.
4. Buisine, А. (1991), Biofictions, Revue des Sciences Humaines, «Le Biographique», no 224, pp. 7–13.
5. Castellana, R. (2019), Finzioni autobiografiche, Carocci Editore, Roma, Italy.
6. Docherty, T. (1983), Reading (Absent) Character: Towards a Theory of Characterization in Fiction, Clarendon, Oxford.
7. Gefen, А. (2005), Le genre des noms: la biofiction dans la littérature française contemporaine. Blanckeman, Bruno and et Marc Dambre, Aline Mura-Brunel. Le Roman français au tournant du XXIe siècle, Presses Sorbonne Nouvelle, Paris, pp. 305–319.
8. Jacobs, N. (1990), The Character of Truth: Historical Figures in Contemporary Fiction, Southern Illinois UP, Carbondale, Illinois, USA.
9. Lukaćs, G. (1969), The Historical Novel, Harmondsworth, UK.
10. Margolin, U. (2012) From Predicates to People like Us. Kinds of Readerly Engagement with Literary Characters, Narratorium, no. 1 (3).Rarenko, M.B. (2017), Biografiya: Evolyutsiya i gibridizatsiya zhanra [Biography. Evolution and hybridization of a genre], Analytical review, INION RAN, Moscow, Russia.
11. Middeke, M. and Huber, W. (eds.) (1999), Biofictions: the Rewriting of Romantic Lives in Contemporary Fiction and Drama, Camden House, Columbia.
12. Shurinova, N.S. (2019), “New researches about biographical writings”, Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies, vol. 4, № 3, pp. 144–152.
13. Vannucci, V. (2011), Canone e biofiction, i soggetti della storia e i nuovi mondi letterari, Altri canoni / Canoni altri. Pluralismo e studi letterari, Firenze university press, Firenze, Italy. pp. 125–153.
Supplementary files
For citation: Bystrova T.A. Introduction to biofiction. History and biography by the modern Italian writers. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2023;(3(2)):282-290. https://doi.org/10.28995/2686-7249-2023-3-282-290
Refbacks
- There are currently no refbacks.