Particularity of the transformation of the superhero comics in the Russian cultural space: by the example BUBBLE Comics
https://doi.org/10.28995/2686-7249-2021-9-87-99
Abstract
About the Author
M. V. MarkovaRussian Federation
Maria V. Markova
bld. 6, Miusskaya Sq., Moscow, 125047
References
1. Coogan, P. (2006), Superhero. The secret origin of a genre, MonkeyBrain Press, Austin, USA.
2. Coogan, P. (2014), “The definition of the superhero”, A comics studies reader, University Press of Mississippi, Jackson, USA.
3. Eco, U. (2005), Rol’ chitatelya. Issledovaniya po semiotike teksta [The role of the reader. Research on text semiotics], Simpozium, Saint Petersburg, Russia.
4. Kozlov, E.V. (2009), “O fiktsii paraliteraturnogo teksta” [About the fiction of a paraliterary text], Vestnik Sankt-Peterburgskogo universiteta, vol. 1, pp. 212–220. Propp, V.Ya. (1998), Morfologiya / istoricheskie korni volshebnoi skazki [Morphology / the
5. historical roots of the fairy tale], Labirint, Moscow, Russia. Tsyrkun, N.A. (2014), Amerikanskii kinokomiks. Evolyutsiya zhanra [American comic film. Evolution of the genre], VGIK, Moscow, Russia.
Supplementary files
For citation: Markova M.V. Particularity of the transformation of the superhero comics in the Russian cultural space: by the example BUBBLE Comics. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2021;(9):87-99. https://doi.org/10.28995/2686-7249-2021-9-87-99
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