Soviet icons as a research project


https://doi.org/10.28995/2686-7249-2022-9-155-164

Full Text:




Abstract

The article is about the project of research into Soviet icons, which began at the Russian State University for the Humanities in 2021 at the Center for Visual Studies of the Middle Ages and Modern Period of the Faculty of Cultural Studies. The Soviet icon is a religious artifact created by village craftsmen (image painters) of the Soviet times – an icon, various in execution techniques, set in a wooden case (kiot). For the decoration of such icons both the traditional (for 19th – early 20th century) materials used – foil, paper, wax, paraffin etc. – as well as specific things that were available in the era of scarcity, poverty of the Soviet village, persecution of the Church and the inability to create religious artifacts in a manufactory way, for the market. Craftsmen used the fabric from Soviet Pioneers ties and wedding dresses, Soviet newspapers, foil from tea bags, prints on which were made with the hunting shotgun cartridges, etc. As a result, the complex bricolages appeared. Often they had icons and materials of the 19 – early 20th century inside, covered with a layer of heterogeneous materials of the Soviet era. The article deals with the specifics of that phenomenon, explains the term “Soviet icon” introduced by the authors of the project, and describes the prospects of the project in the coming years.

About the Author

D. I. Antonov
Russian State University for the Humanities
Russian Federation

Dmitriy I. Antonov, Dr. of Sci. (History), professor

125047, Moscow, Miusskaya Square, bld. 6



References

1. Antonov, D.I. (2022), “Wells and Furnaces. Ritualized Disposal of Sanctified Objects in the Post-Soviet Orthodox Tradition”, RSUH/RGGU Bulletin: “Literary Theory. Linguistics. Cultural Studies” Series, no. 2, pp. 30–43.

2. Antonov, D.I. and Doronin, D.Yu. (2022a), Ikony sovetskoi traditsii: liki traditsii [Icons of the Soviet Era. Faces of Tradition], Indrik, Moscow, Russia.

3. Antonov, D.I. and Doronin, D.Yu. (2022b), “Soviet Icon. From Birth to ‘Funeral’ ”, Zhivaya starina, no. 1, pp. 29–33.

4. Antonov, D.I. and Tyunina, S.M. (2022), “Disposal of Sanctified Objects. Texts and Commentaries”, Zhivaya starina, no. 1, pp. 24–29.

5. Antonov, D.I. and Tyunina, S.M. (2022b), “The Post-Soviet Fate of ‘Soviet Icons’ ”, RSUH/RGGU Bulletin: “Literary Theory. Linguistics. Cultural Studies” Series, no. 4, pp. 94–109.

6. Baert, B. (2018), “Art and Mysticism as Horticulture. Late Medieval Enclosed Gardens of the Low Countries in an Interdisciplinary Perspective”, Baert, B., Iterbeke, H. and Watteeuw, L. (2018), Art and Mysticism: Interfaces in the Medieval and Modern Periods, Routledge, London, New York, USA, pp. 104–127.

7. Baert, B., Iterbeke, H. Watteeuw L. (2018), “Late Medieval Enclosed Gardens of the Low Countries: Mixed Media, Remnant Art, Récyclage and Gender in the Low Countries (Sixteenth Century Onwards)”, The Agency of Things in Medieval and Early Modern Art. Materials, Power and Manipulation. New York, USA, pp. 33–47.

8. Doronin, D.Yu. (2022), “Soviet icon of the Nizhny Novgorod Southwest. Genesis and local traditions”, RSUH/RGGU Bulletin. “Literary Theory. Linguistics. Cultural Studies” Series, no. 3, pp. 70–93.

9. Goryushkina, L.P. (2021), “Icon decoration. People and traditions (based on the materials of the Tambov Expedition 2018–2020)”, Vorontsova, E.V., Allenov, A.N., Elagina, V.S. and Korshikova, E.A. (eds.), Derevenskie svyatyni: sb. st., interv’yu i dokumentov [Village shrines. Collection of articles, interviews and documents], PSTGU, Moscow, Russia, pp. 59–66.

10. Vorontsova, E.V., Allenov, A.N., Elagina, V.S. and Korshikova, E.A. (2021), Derevenskie svyatyni: sborbik statei, interv’yu i dokumentov [Village shrines. Collection of articles, interviews and documents], PSTGU, Moscow, Russia.


Supplementary files

For citation: Antonov D.I. Soviet icons as a research project. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2022;(9):155-164. https://doi.org/10.28995/2686-7249-2022-9-155-164

Views: 211

Refbacks

  • There are currently no refbacks.


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6355 (Print)