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Ilya Zdanevich’s play “lidantU phAram” in a political and metapolitical context

https://doi.org/10.28995/2686-7249-2023-3-369-376

Abstract

The article is about the study of I. Zdanevich’s futuristic play “LidantU phAram”. Experts studied the abstruse language (zaum’) in which the play is written. The author of the article mainly analyzes its political context. The play “LidantU phAram” symbolically indicates the end of the First World War and the end of the whole old world.

About the Author

М. Р. Odesskiy
Russian State University for the humanities
Russian Federation

Mikhail P. Odesskiy, Dr. of Sci. (Philology), professor

bld. 6, Miusskaya Square, Moscow, 125047



References

1. Katzis, L. (2000), Russkaya eskhatologiya i russkaya literature [Russian eschatology and Russian literature], OGI, Moscow, Russia.

2. Markov, V. (2000), Istoriya russkogo futurizma [History of Russian Futurism], Aleteiya, Saint Petersburg, Russia.

3. Nikol’skaya, T.L. (2002), Avangard i okrestnosti [Avant garde and surroundings], Izd-vo Ivana Limbakha, Saint Petersburg, Russia.

4. Odesskiy, M. (2009), “Ilya Zdanevich’s play “YAnko krUl’ albAnskaj” and the Balkan question”, Avangard i ideologiya: Russkie primery [Avant garde and Ideology. Russian examples], Belgradskii universitet, Belgrad, Serbia, pp. 306–314.

5. Odesskiy, M.P. (2018), “Mimesis so-zertsaniya” i “mimesis so-uchastiya” v istorii russkoi dramy XVII–XXI vv. [“Mimesis of co-reflection” and “mimesis of co-participation” in the history of Russian drama of the 17th – 21st centuries], Nestor-Istoriya, Moscow, Saint Petersburg, Russia.


Review

For citations:


Odesskiy М.Р. Ilya Zdanevich’s play “lidantU phAram” in a political and metapolitical context. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2023;(3 (3)):369-376. (In Russ.) https://doi.org/10.28995/2686-7249-2023-3-369-376

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ISSN 2073-6355 (Print)