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The intermedial hero/character in literature
https://doi.org/10.28995/2686-7249-2024-3-32-41
Abstract
The article attempts to define the boundaries of the experimental concept of “intermedial hero”/“intermedial character”, in relation to verbal literary texts. By its nature, the term is collective and is associated primarily with the verbal representation of a specific subject of action (artist, sculptor, musician, etc.), creating works of other arts within a literary text and, most importantly, transforming the structure of the work inner world, making it intermediate (not only in the main plot, but also at thematic, compositional, and mythotectonic levels).
About the Author
S. K. RybalkoRussian Federation
Stepan K. Rybalko, postgraduate student
6, Miusskaya Sq., Moscow, 125047
References
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4. Rybalko, S.K. (2022), “H. Hesse’s novell ‘The Last Summer of Klingsor’ as an artist’s self-portrait with vanitas attributes”, in Malkina, V.Ya. and Lavlinskii, S.P., eds., Vizual’noe vo vsyom: sbornik statei [Visual in everything: a collection of articles], Editus, Moscow, Russia, pp. 29–35.
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Supplementary files
For citation: Rybalko S.K. The intermedial hero/character in literature. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(3):32-41. https://doi.org/10.28995/2686-7249-2024-3-32-41
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