Categories of musical and visual in the plot of Yu. Levitansky’s poem “How to show autumn”
https://doi.org/10.28995/2686-7249-2024-3-121-128
Abstract
The article is about the categories of musical and visual in Yu. Levitansky’s poem “How to show autumn” (Cinematograph, 1970). The text clearly shows the connection between these categories, as well as their role in the construction of artistic reality and the plot of the poem. In turn, the functions of the musical are considered, namely how sound can influence the organization of the figurative system, visual perception and also how the musical becomes visible. The article shows how the categories of musical and visual become inseparable components of the artistic world and build its holistic image.
Supporting agencies: The work was carried out under the Russian State University for the Humanities, project “Category of intermediality: literature and visual arts” (“Student project research teams of Russian State University for the Humanities”).
About the Author
D. S. Sabitova
Russian State University for the humanities
Russian Federation
Russian Federation
Dinara S. Sabitova
6, Miusskaya Sq., Moscow, 125047
References
1. Lavlinskii, S.P. and Malkina, V.Ya. (2020), “Visual in literature: concept and technology of a special seminar for students of humanities faculties”, in Malkina, V.Ya. and Lavlinskii, S.P., eds., Vizual’noe vo vsyom: sbornik statei [Visual in everything. Collected articles], Editus, Moscow, Russia, pp. 5–39.
2. Makhov, A.E. (2005), Musica literaria: ideya slovesnoi muzyki v evropeiskoi poetike [Musica literaria. The idea of verbal music in European poetry], Intrada, Moscow, Russia.
3. Malkina, V.Ya. (2023), “Visual images of memory in the poems of Yu. Levitansky ‘So what if I was there…’ and ‘Memory’ ”, RSUH/RGGU Bulletin. “Literary Theory. Linguistics. Cultural Studies” Series, no. 3, pp. 52–61.
Review
For citations:
Sabitova D.S. Categories of musical and visual in the plot of Yu. Levitansky’s poem “How to show autumn”. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(3):121-128. (In Russ.) https://doi.org/10.28995/2686-7249-2024-3-121-128
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