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The portrayal of Satan in John Milton’s “Paradise Lost” and Philip Pullman’s “His Dark Materials” trilogy

https://doi.org/10.28995/2686-7249-2024-3-207-214

Abstract

This article provides a comparative analysis of the portrayal of Satan in John Milton’s epic poem “Paradise Lost” and Philip Pullman’s “His Dark Materials” trilogy, focusing on genetic and typological similarities. Drawing upon scholarly research and critical interpretations of the above works, it studies the multifaceted nature of Satan’s character. It also considers contrasting perspectives, thematic implications, and narrative strategies. The article analyzes narrative techniques and symbolic aspects related to the portrayal of Satan, highlighting the significance of these works in addressing moral and religious issues. The author contributes to a deeper understanding of the literary and philosophical aspects of tradition and innovation in the depiction of Satan, based on the analyzed literary works.

About the Author

A. D. Biserova
Moscow City University
Russian Federation

Anna D. Biserova, graduate student

4, Vtoroi Sel’skokhozyayistennyi Drive, Moscow, 129226



References

1. Merkulova, M.G. (2021), “The theory of Englishness in the context of studying the works of multicultural writers in Great Britain”, in Yazyk i literatura v problematike sovremennykh gumanitarnykh nauk: sbornik nauchnykh trudov po lingvistike i literaturovedeniyu [Language and literature in the issues of modern humanities. Collected scientific works on linguistics and literary criticism], Obshchestvo s ogranichennoi otvetstvennost’yu “PRINTIKA”, Moscow, Russia, pp. 108–114.

2. Donohue, W.A. (2007), The golden compass. Agenda unmasked. Catholic league for religious and civil rights, pp. 31–42, available at: https://www.catholicleague.org/golden-compass-agenda-unmasked/ (Accessed 20 Jan. 2023).

3. Lewalski, B.K. (2005), Why Milton matters, Penn State University Press, University Park, Pennsylvania, USA, vol. 44, pp. 13–21.

4. Hatlen, B. (2005), Pullman’s his dark materials, a challenge to the fantasies of J.R.R. Tolkien and C.S. Lewis, with an epilogue on Pullman’s neo-romantic reading of Paradise Lost, Wayne State University Press, Detroit, USA, pp. 75–95.

5. Wood, N. (2010), “Paradise lost and found: ‘Obedience, disobedience, and storytelling in C.S. Lewis and Philip Pullman’ ”, Children’s literature in education, vol. 32, no. 4, pp. 237–359.


Review

For citations:


Biserova A.D. The portrayal of Satan in John Milton’s “Paradise Lost” and Philip Pullman’s “His Dark Materials” trilogy. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(3):207-214. (In Russ.) https://doi.org/10.28995/2686-7249-2024-3-207-214

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ISSN 2073-6355 (Print)