The epistolary dialogue between M. Tsvetaeva and R.M. Rilke as a mutual emotional impact and as a creative prehistory to M. Tsvetaeva’s poem “Novogodnee”

V. M. Khaimova

doi:10.28995/2686-7249-2024-12-183-195

The epistolary dialogue between M. Tsvetaeva and R.M. Rilke as a mutual emotional impact and as a creative prehistory to M. Tsvetaeva’s poem “Novogodnee”

V. M. Khaimova

https://doi.org/10.28995/2686-7249-2024-12-183-195

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Abstract

The article deals with the epistolary dialogue between Tsvetaeva and Rilke which took place in 1926 and reflected an emotional impact of the poets on each other, harmony of their thoughts and images. The dialogue was also important as a creative laboratory where the images of the concepts of “poet” and “poetic language” could mature and be reflected in Tsvetaeva’s poem “Novogodnee”.

Keywords

M. Tsvetaeva, R.M. Rilke, epistolary dialogue, emotional impact, poet, poetic language,

About the Author

V. M. Khaimova

Russian State University for the Humanities; Moscow International Academy
Russian Federation

Violetta M. Khaimova, Cand. of Sci. (Philology), associate professor

125047; 6, Miusskaya Sq.; Moscow

References

1. Azadovskii, K. (1992), “Orpheus and Psyche”, in Azadovskii, K., ed., Nebesnaya arka: Marina Tsvetaeva i Rainer Maria Ril’ke [Heavenly arch. Marina Tsvetaeva and Rainer Maria Rilke], Akropol’, Saint Petersburg, Russia.

2. Bakhtin, M. (1979), “From the recordings of 1970–1971”, in Estetika slovesnogo tvorchestva [Aesthetics of verbal creative work], Iskusstvo, Moscow, USSR, pp. 361–370.

3. Shevelenko, I. (2002), Literaturnyi put’ Tsvetaevoi: Ideologiya – poetika – identichnost’ avtora v kontekste epokhi [Tsvetaeva’s literary path. Ideology – poetics – author’s identity in the context of the era], Novoe literaturnoe obozrenie, Moscow, Russia.

Supplementary files

For citation: Khaimova V.M. The epistolary dialogue between M. Tsvetaeva and R.M. Rilke as a mutual emotional impact and as a creative prehistory to M. Tsvetaeva’s poem “Novogodnee”. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(12):183-195. https://doi.org/10.28995/2686-7249-2024-12-183-195

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