Poetry readings: an anthropologist’s view

Abstract

This article analyzes the problem of studying a particular type of literary gathering, namely poetry readings, which can be formulated using two questions: 1) why do people gather for poetry readings, 2) what methodology would be appropriate in studying these gatherings? Answers to these questions are given from the standpoint of cultural anthropology, using the methodological tools of sociology and folklore studies. Reading practices vary depending on the goals, structure, and composition of participants. The author examines such reading practices as Tsvetaeva’s bonfires (gatherings of readers) and readings of contemporary poetry (gatherings of authors), which, despite all the differences, possess the spirit of communitas (participatory anti-structurality), allowing communities to “reassemble” and reactualize identity in the rituals of readings. Participants adjust their perception differently depending on the type of gathering. Tsvetaeva’s bonfires require “sincerity” – a demonstration of empathy and special emotional intensity, appealing to the main goal – expanding the network of the community, strengthening the cultural status of the event. Contemporary poetry evenings unfold through carnival irony. They are characterized by anti-behavior, that is, a conscious violation of social norms. Both forms of poetry gatherings transmit the spirit of communitas, according to W. Turner.