Preview

RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series

Advanced search

The return of the hero in Japanese cinema in the late 1950s and early 1960s

https://doi.org/10.28995/2686-7249-2015-3-135-144

Abstract

Japan's involvement in the Second World War came to an end with the atomic bombings of Hiroshima and Nagasaki, the loss of millions of lives and the acceptance of unconditional surrender. In the postwar years the assessment of these historical events underwent numerous reevaluations. A major shift in public opinion was indicated by the appearance of war films created by a Japanese filmmaker Okamoto Kihachi. Produced in the late 1950s and early 1960s these films rehabilitated a positive image of Japanese male-hero. Conducting a comparative analysis of Okamoto’s films with Japanese war cinema created in the preceding decade will help us understand how the regain of sovereignty and the country’s rapid economic growth affected Japan’s perception of its historical past.

About the Author

Anastasia Fedorova
Kyoto University; All-Russian State University of Cinematography after S.A. Gerasimov
Russian Federation


References

1. Virilio P. War and Cinema: The Logistics of Perception. L.: Verso, 1989.

2. Belton J. American Cinema //American Culture. N. Y.: McGraw-Hill, 1994. P. 195.

3. Desjardins C. Outlaw Masters of Japanese Film. L.: I. B. Tauris, 2005. P. 95.

4. Hirano K. Mr. Smith Goes to Tokyo: Japanese Cinema under the American Occupation, 1945 - 1952. L.: Smithsonian Institution Press, 1992.

5. Buruma I. A Japanese Mirror: Heroes and Villains of Japanese Culture. Harmondswoth: Penguin, 1985.

6. Мещеряков А. Н. Япония в объятиях пространства и времени. М.: Наталис, 2010. С. 456-471.

7. Сида Сёдзо. Сэнго Нихон ни окэру дзицудзон сюги (Экзистенциализм в послевоенной Японии) // Сэнго но сисō сякай. № 37. Токио, 1983. C. 43-63.

8. Kihachi: фобито но арутидзан: Окамото Кихати дзэн сакухинсю (Kihachi: мастер четырехтактного бита: Все фильмы Кихати Окамото). Токио: Тохо, 1992.

9. Corneytz N. The Ethics of Aesthetics in Japanese Cinema and Literature: Polygraphic Desire. N. Y.: Routledge, 2007. P. 8.

10. Barrett G. Archetypes in Japanese Film: The Sociopolitical and Religious Significance of the Principal Heroes and Heroines. Selinsgrove: Susquehanna University Press, 1989.

11. Квятковская П. Соматография. Тело в кинообразе. Харьков: Гуманитарный центр, 2014. С. 10.

12. Делёз Ж. Кино: Кино 1. Образ-движение; Кино 2. Образ-время. М.: Ad Marginem, 2004.

13. Chapman J. War and Film. Trowbridge: Cromwell Press, 2008.


Review

For citations:


Fedorova A. The return of the hero in Japanese cinema in the late 1950s and early 1960s. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2015;(3):135-144. (In Russ.) https://doi.org/10.28995/2686-7249-2015-3-135-144

Views: 292


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6355 (Print)