Preview

RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series

Advanced search

The Process of Formation of the Artistic Elite. Theoretical and Ideological Searchings by the Example of S.B. Nikritin’s Life and Work

https://doi.org/10.28995/2073-6355-2018-5-9-17

Abstract

In the article an attempt is made to study the formation of S.B. Nikritin as an artist and art theorist, whose life shows both the enthusiasm and tragedy of the epoch since Revolution 1917. The research is based on the materials from Manuscripts Department of the Tretyakov Gallery Archive and the Russian State Archive of Literature and Arts. Nikritin was a left-wing artist,at least as he was a socialist theory supporter. However, Nikritin could not but resist dogmatism, that gradually fettered artistic life since the early 1920s. All his professional life was focused on the idea of a new art special way. His childhood was connected with the traditional culture of Jewish shtetls, in which socialistic ideas actively penetrated. Being a student of such masters as A. Ekster, as well as his acquaintance with M. Gorky and A. Lunacharsky brought Nikritin to VHUTEMAS - the higher art school, where professors were innovators. However, S.B. Nikritin was not ready to settle upon the theories proposed there, since his generation of artists believed they had a mission - to develop art for a new society.

About the Author

Julia Philina
Russian State University for the Humanities
Russian Federation

student

bld. 6, Miusskaya sq., Moscow, 125993



References

1. Pchelkina LR. Solomon Nikritin is the “artist of the process”. Unknown pages of the Russian avant-garde of the 1920s. V: Decorative art and the subject-spatial environment. Vestnik MGHPA. 2012;1/1:86-95. (In Russ.)

2. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 109.

3. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 12.

4. Rossiiskii gosudarstvennyi arkhiv literatury i iskusstv. Fond 2717. opis’ 1. Delo 100.

5. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 312.

6. Revyakina IA. “...In the party, I have seen nobody matching them”. An unpublished letter from A. Bogdanov to M. Gorky. Scando-slavica. 1993;39:100-6. (In Russ.)

7. Plaggenborg S. Revolution and culture: cultural landmarks in the period between the october Revolution and the era of Stalinism. Sankt-Peterburg: Zhurnal “Neva” Publ.; 2000. 414 p. (In Russ.)

8. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 53.

9. Efimov BE. Coeval with the century. Memoirs. Moscow: Sovetskii hudozhnik Publ.; 1987. 347 p. (In Russ.)

10. Kostin VI. oST. Leningrad: Hudozhnik RSFSR Publ.; 1976. 159 p. (In Russ.)

11. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 302.

12. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 20.

13. Tret’yakovskaya galereya. Rukopisnyi otdel. Fond 141. Delo 308.


Review

For citations:


Philina J. The Process of Formation of the Artistic Elite. Theoretical and Ideological Searchings by the Example of S.B. Nikritin’s Life and Work. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2018;(5):9-17. (In Russ.) https://doi.org/10.28995/2073-6355-2018-5-9-17

Views: 268


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6355 (Print)