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The Last Judgment iconography in Spain: "composite" character of the theme representation and problem of "two Judgments" in 12th - 13th centuries
https://doi.org/10.28995/2686-7249-2019-1-1-83-95
Abstract
In the article the features of the development of the theme "Last Judgment" in the Spanish monumental sculpture are considered in comparison with French tradition. In France in the 12th and 13th c., the classical interpretation of the Last Judgment dominates. In Spain, the eschatological perspective of the Judgment appears only at the end of the 12th c., but in both centuries is both a theme of judgment over the soul and variants of composite iconography where the Last Judgment is combined with others themes in complex iconographic programs.
About the Author
K. L. LukichevaRussian Federation
Krassimira L. Loukitcheva, PhD in Art history, associate professor
bld. 21, Prechistenka str., Moscow, 119034
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Supplementary files
For citation: Lukicheva K.L. The Last Judgment iconography in Spain: "composite" character of the theme representation and problem of "two Judgments" in 12th - 13th centuries RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2019;(1-1):83-95. https://doi.org/10.28995/2686-7249-2019-1-1-83-95
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