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Jean Gerson’s private/public issue

https://doi.org/10.28995/2686-7249-2020-3-47-64

Abstract

The article deals with the concept of private/public in the late Middle Ages’ culture. This opposition is considered by the works of Jean Gerson (1363–1429), an outstanding French theologian, chancellor of the University of Paris and Royal advisor. The author traces the development of that concept in Gerson’s works, his sometimes inconsistent and even paradoxical conclusions in relation to the intimate sphere of human existence (marriage, sexual relations between husband and wife), as well as in relation to more general issue of religious experiences of an individual (female mysticism, the nature of revelation, the discretio spirituum). The article deals also with Jean Gerson’s attitude to reading and books in general, as well as to the images, the study of which was condemned by the theologian. The author comes to the conclusion about the instability of the concepts of “private” and “public” in Western Europe at the turn of the 14th–15th centuries, as evidenced not only by the work of Jean Gerson, but also by texts of other genres.

About the Author

O. I. Togoeva
Institute of World History, Russian Academy of Sciences
Russian Federation

Olga I. Togoeva, Dr. of Sci. (History)

bld. 32а, Leninsky Av., Moscow, 119334



References

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Togoeva O.I. Jean Gerson’s private/public issue. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2020;(3):47-64. (In Russ.) https://doi.org/10.28995/2686-7249-2020-3-47-64

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ISSN 2073-6355 (Print)