Representation levels of the visual in the verse novel by V. Ivanov “Mladenchestvo”
https://doi.org/10.28995/2686-7249-2020-9-62-72
Abstract
The article examines the category of visuality on the example of the novel in verse by V. Ivanov “Mladenchestvo” (Infancy). Visuality is organized by the elements of artistic reality, which are the structure-forming principles of architectonics and belong to the deep-laid level of the work. Visuality in the novel is considered in the context of an intermedia analysis, which involves the study of the interaction between the verbal and the visual. The article is about the visuality role in constructing the artistic and semantic field of the work. While researching the representation levels of visuality were identified and the parameters of their embodiment in the verse novel by V. Ivanov “Mladenchestvo” analyzed.
About the Author
U. V. Petukhova
Russian State University for the Humanities
Russian Federation
Russian Federation
Ul’yana V. Petukhova, postgraduate student
bld. 6, Miusskaya Square, Moscow, Russia, 125993
References
1. Bahtin, M.M (1979), Estetika slovesnogo tvorchestva [Aesthetics of verbal creative work], Iskusstvo, Moscow, Russia.
2. Bahtin, M.M (1975), “Formy vremeni i khronotopa v romane Forms of the time and chronotope in the novel.”, Voprosy literatury i estetiki, [Questions of literature and aesthetics], Khudozhestvennaya literatura, Moscow, Russia.
3. Chumakov, U.N. (1999), Stikhotvornaya poetika Pushkina [The in-verse form poetics of Pushkin], Gosudarstvennyi Pushkinskii teatral’nyi tsentr v Sankt-Peterburge, Saint Petersburg, Russia.
4. Florenskii, P. (1995), Ikonostas, [Iconostasis], Russkaya kniga, Moscow, Russia. Golosovker, Ya.E. (1987), “Imaginative absolute”, Imaginative absolute Logika mifa, [Logic of the myth], Nauka, Moscow, Russia, pp. 114-165.
5. Hauser, A. (1958), Philosophie der Kunstgaeschichte, Max Hueber Verlag, Muenchen, Deutschland.
6. Ivanov, V. (1974a), “Mladenchestvo”, Sobranie sochinenii. vol. 1 [Collected works. Vol. 1.], Foyer Oriental Chretien, Brussels, Belgium.
7. Ivanov, V. (1974b), “O granitsakh iskusstva [On the boundaries of art.]”, Sobranie sochinenii. vol. 2 [Collected works. Vol. 2], Foyer Oriental Chretien, Brussels, Belgium.
8. Ingarden, R (1961), Issledovaniya po estetike, [Research in aesthetics], Izdatel’stvo inostrannoi literatury, Moscow, Russia.
9. Lavlinskii, S.P. and Malkina, V.Ya. (2020), “ ‘Visual in Literature’. The concept and technology of a special seminar for students of humanitarian faculties”, Vizual’noe vo vsem [Visual in everything], Editus, Moscow, Russia, pp. 5-39.
10. Shmid, V. (2003), Narratologiya [Narratology], Yasiki slavyanskoi kultury, Moscow, Russia.
11. Starobinskii, Zh. (1996), “Towards the imagination concept. Milestones in history”, Novoe literaturnoe obozrenie, no 19, pp. 30-47.
12. Tamarchenko, N.D. (2004), “The world of a lyric work. Space-time, event and plot”, Teoriya literatury [Theory of literature], vol. 1, Akademiya, Moscow, Russia, pp. 347-355.
13. Todorov, C. (1999), Vvedenie v fantasticheskuyu literature [Introduction to the Science Fiction Literature], Dom intellektual’noi knigi, Moscow, Russia.
14. Tiupa, V.I. (2001), Analitika hudozhestvennogo (vvedenie v literaturovedcheskii analis), [Analytics of the artwork (introduction to literary analysis)], Labirint, Moscow, Russia.
15. Vygotsky, L.S. (1997), Voobrazhenie i tvorchestvo v detskom vozraste [Imagination and creative work in childhood], Souz, Saint Petersburg, Russia.
Review
For citations:
Petukhova U.V. Representation levels of the visual in the verse novel by V. Ivanov “Mladenchestvo”. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2020;1(9):62-72. (In Russ.) https://doi.org/10.28995/2686-7249-2020-9-62-72
Views:
185
Email this article 