General aspects of nature documentary audiovisual text
https://doi.org/10.28995/2686-7249-2020-9-240-250
Abstract
The article considers a genre of the documentary that is nature documentaries, dedicated to wildlife of our Planet, covering the ornithology, oceanology and botany sciences. Certain specific cinematographic, linguistic codes and area affiliation are the key prerequisites for nature documentary to be considered as a sub-genre. The article highlights the lexical and syntactic components in the text of a popular science documentary along with some expressive elements (intonation, face expression and gestures). The manifestation of the above mentioned features of a nature documentary is associated with the type of audiovisual text. The author of the article proposes a typology of audiovisual texts of popular science documentaries, which is based on various methods of narration and presentation of material to the recipient.
She distinguishes three types of nature documentary texts: 1) off-screen narration text; 2) a combination of the off-screen narration and on-screen commentator’s text; 3) off-screen narration, on-screen commentator’s text and on-screen interview text.
About the Author
E. A. Filatova
MIREA – Russian Technological University
Russian Federation
Russian Federation
Ekaterina A. Filatova
bld. 20, Stromynka Street, Moscow, 107996;
References
1. Prozhitko, G.S. (2004), Kontseptsiya real’nosti v ekrannom dokumente [Reality concept in an on-screen document], VGIK, Moscow, Russia.
2. Shergova, K.A. (2016), Stanovlenie zhanrov dokumentalnogo kino: 1960-e – nachalo 2000-kh gg. [Formation of the documentary film genre 1960s – early 2000s], Moscow, Russia.
Review
For citations:
Filatova E.A. General aspects of nature documentary audiovisual text. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2020;(9(2)):240-250. (In Russ.) https://doi.org/10.28995/2686-7249-2020-9-240-250
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