Preview

RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series

Advanced search

Terracotta protomas and the coroplast workshops of Gorgippia

https://doi.org/10.28995/2686-7249-2023-1-22-41

Abstract

In 2020, during excavations of the ancient polis of Gorgippia (Anapa), a pottery kiln (from the middle of the 3d century BC) was discovered, with the remains of a batch of terracotta baked in it, including two half-figures of Kore-Persephone and a protoma-mask of Demeter. It is noteworthy that such products were already familiar to researchers at Gorgippia, where a statuette of Kore was found in the necropolis (1954), and the protomas of Demeter were found in the alleged “dump” of temple offerings (1965). Analysis of the new finds and materials of the Anapa Museum revealed the peculiarities of the work of coroplasts in Gorgippia, and identified the problems of the circulation of individual elements and the transformation of the image of a female deity. It has been established that the basis for postulating four variants of Gorgippian protomas was the expression on the face of a figurine of the classical period. On the basis of this “primary element”, supplemented by free modeling, three variants of the protoma Demeter were distinguished, a modest provision of a basis for the discussion of differing forms, in addition to a more complex half-figure of Kore. Their production coincided with the destruction of the furnace, but was not limited to that time. In any case, the genealogy of the variant of the protoma of Demeter from the furnace covers three generations of terracotta: both the one preceding and the one following it.

About the Authors

E. A. Savostina
Moscow State Academic Art Institute named after V.I. Surikov at the Russian Academy of Arts
Russian Federation

Elena A. Savostina, Dr. of Sci (Art Studies)

bld. 30, Tovarishcheskiy Line, Moscow, 109544



T. C. Tikhonova
LLC “Kubanarcheologiya”
Russian Federation

Tatiana S. Tikhonova

bld. 37/11, Kubanskaya Naberezhnaya St., Krasnodar, 350063



References

1. Alekseeva, E.M. (1997), Antichnyш gorod Gorgippiya [The ancient city of Gorgippia], Nauka, Moscow, Russia.

2. Alekseeva, E.M. (2010), “Gorgippiya”, Antichnoe nasledie Kubani [Аncient heritage of Kuban], vol. 1, Nauka, Moscow, Russia, pp. 470–509.

3. Barrett, C. (2015), “Terracotta figurines and the archaeology of ritual: domestic cult in Greco-Roman Egypt”, in Figurines grecques en context Présence muette dans le sanctuaire, la tombe et la maison, Presses universitaires du Septentrion, Villeneuve d’Ascq, France, рp. 401–419.

4. Goroncharovskii, V.A. and Tikhonova, T.S. (2021), “Dedicatory reliefs depicting Cybele, Hermes and Hecate”, in Antichnye relikvii Hersonesa: otkrytiya, nakhodki, teorii (ARHONT). Materialy nauchnoi konferentsii, Sevastopol’, 20–24 sentyabrya 2021 [Ancient relics of Chersonesos: discoveries, finds, theories (ARCHON). Proceedings of the scientific conference, Sevastopol, September 20–24, 2021], GIAMZ “Tauride Chersonese”, Sevastopol, Russia, pp. 73–77.

5. Il’ina, T.A. (2008), Problemy issledovaniya antichnoj koroplastiki Bospora: opyt kompleksnogo analiza materialov svyatilishcha na Majskoj gore bliz Fanagorii, [The problems of Ancient Bosporus coroplastyc research: an experience of complex analysis of materials from the Majskaia Mountain sanctuary not far from Phanagoria], Abstract of Ph.D. dissertation, Moscow, Russia, p. 28.

6. Isaeva, N.N. (1990), “To the iconography of the anode in the Greek coroplasty of the Classical period” in Obraz – smysl v antichnoi kul’ture [Image – meaning in Ancient culture], Vneshtorgizdat, Moscow, Russia, pp. 164–173.

7. Khodza, E.N. (2018), Antichnye terrakoty iz sobraniya P.A. Saburova [Antique terracottas from the collection of P.A. Saburov], Izdatel’stvo Gosudarstvennogo Ermitazha, Saint Petersburg, Russia.

8. Koukouvou, A. (2017), “Terracotta figurines. Craftsmen and workshops”, in Figurines. A microcosmos of clay, Thessaloniki, Greece, pp. 45–48.

9. Kuz’mina, Yu.N. (2013), Keramicheskii kompleks vtoroi chetverti V v. do n. e. iz raskopok na yuzhnoi okraine Fanagorii [Ceramic complex of the second quarter of the 5th century BC from excavations on the southern outskirts of Phanagoria], Journal of Historical, Philological and Cultural Studies, no. 2, pp. 45–49.

10. Novichikhin, A. and Galut, O. (2013), Zoloto Gorgippii [Gorgippia gold], Platonov, Krasnodar, Russia.

11. Savostina, E.A. and Tikhonova, T.S. (2021), “Koroplast workshop in the context of urban life and craft production of Gorgippia”, Drevnosti Bospora, vol. 26, pp. 309–331.

12. Svana, I. (2015), “Votive terracotta figurines from a rural sanctuary in Thesprotia, Epirus”, in Figurines de terre cuite en Méditerranée grecque et romaine. Iconographie et contexts, vol. 2, Presses universitaires du Septentrion, Villeneuve d’Ascq, France, pp. 457–463.

13. Tzanavari, K. (2015), “Protomés de terre cuite de l’antique Lètè (Migdonie)”, in Figurines de terre cuite en Méditerranée grecque et romaine. Iconographie et contexts, vol. 2, Presses universitaires du Septentrion, Villeneuve d’Ascq, France, pp. 165–180.

14. Ulenbrock, J.P. (1990), The Coroplast’s art, New York, USA.

15. Vlasova, E.V. (2010), “Hellenic and local Antiquities”, in Antichnoe nasledie Kubani [Ancient heritage of Kuban], vol. 3, Nauka, Moscow, Russia, pp. 198–262.


Review

For citations:


Savostina E.A., Tikhonova T.C. Terracotta protomas and the coroplast workshops of Gorgippia. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2023;(1):22-41. (In Russ.) https://doi.org/10.28995/2686-7249-2023-1-22-41

Views: 169


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6355 (Print)