Drama and theater in an artistic epic. “The Land of Elsa” by Yaroslava Pulinovich in Roman Senchin’s “Russian Winter”
https://doi.org/10.28995/2686-7249-2023-3-101-112
Abstract
The article considers the incorporation into an artistic epic prose text (the novel by Roman Senchin “Russian Winter’) dramatic literary texts (Yaroslava Pulinovich’s drama “The Land of Elsa”) and theatrical ones (the play “Elsa” of the Taganka Theater), the sources of which from physical reality are updated due to the declarative autofictionality of the Senchin story, and their incorporation itself becomes not just an intergenerational and interspecific transcoding, but also an interpretation of source texts, an interpretation that allows the author to express his view of drama and theater, both in their specific manifestations, and in general.
About the Author
Yu. V. Domanskii
Russian State University for the Humanities
Russian Federation
Russian Federation
Yuri V. Domanskii, Dr. of Sci. (Philology), professor
bld. 6, Miusskaya Sq., Moscow, 125047
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Review
For citations:
Domanskii Yu.V. Drama and theater in an artistic epic. “The Land of Elsa” by Yaroslava Pulinovich in Roman Senchin’s “Russian Winter”. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2023;(3):101-112. (In Russ.) https://doi.org/10.28995/2686-7249-2023-3-101-112
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