“Through the tumbu-tumbu times”. Urban text and parodia sacra in one student song
https://doi.org/10.28995/2686-7249-2023-6-100-137
Abstract
A student song is one of the little-studied genres of song folklore, despite its wide popularity in the student community. The article is devoted to the most popular student song, the existence of which began in the 19th century. The history of the song, its origin and further existence in the student environment are considered. The rare plot of the song allows to track all song changes from the original text to the present day. I will consider the process of song folklorization – how exactly the transition from a typical student song with details of the local city text to a full-fledged parodia sacra took place, and how much the text has changed in volume. Thus, the main vectors of the song analysis will be the presence of the local university and city text in it, as well as how parodia sacra develops in the text and what form it takes in various versions. The ethnographic context of the song’s existence and the reasons for the text popularity in various communities are also considered. The occurrence of the plot elements in other folklore genres is revealed: in fairy tales, chastushkas, as well as in other student songs that appeal to various holy personages.
About the Author
V. A. Vorob’evRussian Federation
Vasilii A. Vorob’ev, postgraduate student
6, Miusskaya Sq., Moscow, 125047
References
1. Alpatov, S.V. and Shamin, S.M. (2012), “The influence of European parody pamphlets on the formation of the Russian tradition of parodia sacra of the 17th–19th centuries”, Vestnik Moskovskogo universiteta, Seriya 9, Filology, no. 2, pp. 58–66.
2. Bakhtin, M.M. (1990), Tvorchestvo Fransua Rable i narodnaya kul’tura Srednevekov’ya i Renessansa [The work of Francois Rabelais and the folk culture of the Middle Ages and Renaissance], Khudozhestvennaya literature, Moscow, USSR.
3. Bogatyrev, P.G. and Yakobson, R.O. (1971), “Folklore as a special form of creativity”, in Bogatyrev, P.G., Voprosy teorii narodnogo tvorchestva [Questions of the theory of folk art], Iskusstvo, Moscow, USSR, pp. 369–383.
4. Bogatyrev, P.G. (1971), “Active-collective, passive-collective, productive and unproductive facts”, in Bogatyrev, P.G., Voprosy teorii narodnogo tvorchestva [Questions of the theory of folk art], Iskusstvo, Moscow, Russia, pp. 384–386.
5. Curtius, E.R. (1953), European literature and the Latin Middle Ages, Harper & Row publishers, New York, USA.
6. Eliade, M. (1994), Svyashchennoe i mirskoe [Sacred and Profane], Izdatel’stvo MGU, Moscow, Russia.
7. Hobsbawm, E. and Ranger, T. (eds.) (1983), The Invention of tradition, Cambridge University Press, Cambridge, UK.
8. Kalutskov, V.N. and Ivanova, A.A. (2006), Geograficheskie pesni v traditsionnom kul’turnom landshafte Rossii [Geographical songs in the traditional cultural landscape of Russia], Izdatel’stvo PFOP, Moscow, Russia.
9. Kalutskov, V.N. (2008), “Geographical urban songs of Russia”, Antropologicheskii forum, no. 8, pp. 393–402.
10. Likhachev, D.S., Panchenko, A.M. and Ponyrko, N.V. (1984), Smekh v Drevnei Rusi [Laughter in Ancient Russia], Nauka, Leningrad, USSR.
11. Neklyudov, S.Yu. (2013), “Cultural memory in the oral tradition. Historical depth and technology of transmission”, in Navstrechu Tret’emu Vserossiiskomu kongressu fol’kloristov: Sbornik nauchnykh statei [Towards the Third All-Russian Congress of Folklorists. Collection of scientific articles], Gosudarstvennyi respublikanskii tsentr russkogo fol’klora, Moscow, Russia, pp. 9–15, available at: https://ruthenia.ru/folklore/neckludov78.htm#_ftnref1 (Accessed 15 May 2023).
12. Panchenko, A.A. (2018), “Why the devil was born. A plot about a communistsacrilegious, newborn monsters and the boundaries of religious didactics”, Studia Litterarum, vol. 3, no. 2, pp. 252–287.
13. Petrov, N.V. (2018), “ ‘Zoya’s standing’. Folklore plot and social reality”, Traditsionnaya kul’tura, vol. 19, no. 3, pp. 112–125.
14. Podrezova, S.V. (2018), “Touches to the portrait of the composer and collector of folk songs Alexey Pavlovich Aristov” (1842–1910)”, in Iz istorii russkoi fol’kloristiki: k yubileyu Valerii Igorevny Ereminoi [From the history of Russian folklore. To the anniversary of Valeria Igorevna Eremina], Svoe izdatel’stvo, Saint Petersburg, Russia, pp. 123–157.
15. Pozdeev, V.A. (2001), “Handwritten journals of seminarians of the early 20th century”, Zhivaya starina, no. 4, pp. 19–22.
16. Propp, V.Ya. (1976), Fol’klor i deistvitel’nost’: izbrannye stat’i [Folklore and reality. Selected articles], Nauka, Moscow, USSR.
17. Sukhova, N.Yu. (2007), Vertograd nauk duhovnyi: sbornik statei po istorii vysshego dukhovnogo obrazovaniya v Rossii XIX – nachala XX veka [Vertograd of spiritual sciences. A collection of articles on the history of higher spiritual education in Russia of the 19th – early 20th century], Pravoslavnyi Svyato-Tikhonovskii gumanitarnyi universitet, Moscow, Russia.
Review
For citations:
Vorob’ev V.A. “Through the tumbu-tumbu times”. Urban text and parodia sacra in one student song. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2023;(6):100-137. (In Russ.) https://doi.org/10.28995/2686-7249-2023-6-100-137