Explication of the author’s individuality with the help of a visual-verbal sign in a modern graphic novel and traditional Chinese calligraphy
https://doi.org/10.28995/2686-7249-2024-3-172-178
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Abstract
The article considers the un-avoidable manifestation of the author’s individuality in the design of a visual-verbal sign as a common feature between a graphic novel and Chinese calligraphy, which is realized firstly through handwritten input and secondly through machine text transformation.
The article also considers such an important issue as the lifelikeness as a point of convergence between the two arts.
About the Author
A. V. Alekseev
Russian State University for the humanities
Russian Federation
Russian Federation
Anton V. Alekseev, postgraduate student
6, Miusskaya Sq., Moscow, 125047
References
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2. Chzhan, M. (2021), “Hieroglyphs in traditional Chinese art. Reproduction, use and aesthetic significance”, Manuskript, vol. 14, no. 5, available at: https://cyberleninka.ru/article/n/ieroglify-v-traditsionnom-kitayskom-iskusstve-vosproizvedenie-ispolzovanie-i-esteticheskoe-znachenie (Accessed 10 Jul. 2023).
3. MakKlaud, S. (2016), Ponimanie komiksa. Nevidimoe iskusstvo [Understanding comics. Invisible art], Beloe yabloko, Moscow, Russia.
4. Voroshilova, M.B. (2007), “Creolized text. Aspects of studying”, Political Linguistics Journal, no. 20, available at: https://cyberleninka.ru/article/n/kreolizovannyy-tekst-aspekty-izucheniya (Accessed 25 Jul. 2023).
Review
For citations:
Alekseev A.V. Explication of the author’s individuality with the help of a visual-verbal sign in a modern graphic novel and traditional Chinese calligraphy. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(3):172-178. (In Russ.) https://doi.org/10.28995/2686-7249-2024-3-172-178
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ISSN 2073-6355 (Print)
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