The real world and the imaginary world in Domenico Dara’s novel «Malinverno»
https://doi.org/10.28995/2686-7249-2024-10-211-219
Abstract
The paper considers a correlation of the real world and the world of the imaginary in Domenico Dara’s novel «Malvinverno», in particular, the role of the imaginary for understanding the protagonist’s inner world, as well as the theme of reading in the novel in general. It analyzes the author’s references to the works of L. Pirandello, F. Dostoevsky, M. Bulgakov and other Russian and foreign authors, their role in Dara’s narrative, the realization of metaphors and the characters’ transition from the plan of the imaginary to the plan of the real and back. Special attention is paid to the theme of death and the theme of duality as being central to the work in question.
About the Author
T. A. BystrovaRussian Federation
Tatiana A. Bystrova, Cand. of Sci. (Philology), associate professor
bld. 6, Miusskaya Square, Moscow, 125047
References
1. Romeo, C. (2023), Tra follia e realismo magico. La produzione narrativa di Domenico Dara. Giulio Perrone Editore, Roma, Italy.
Review
For citations:
Bystrova T.A. The real world and the imaginary world in Domenico Dara’s novel «Malinverno». RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(10):211-219. (In Russ.) https://doi.org/10.28995/2686-7249-2024-10-211-219