The discourse of the Civil War in the Soviet culture of the early 1970-s and “the naïve optic” of the view. The film Bumbarash
https://doi.org/10.28995/2686-7249-2024-11-164-175
Abstract
The paper is focused on some key features of Bumbarash (1972), TV movie by N. Rasheev and A. Narodnitsky, to form it’s perception by the Russian intelligentsia of the late Soviet epoch. The movie was based on some short stories by A. Gaidar (1904–1941) demonstrated the mechanics of dehumanization to be inherited by any civil war. The very special narrative of “Bumbarash” which integrates elements of various genres is rather untypical for the mainstream Soviet representation of the Russian Revolution. That has formed the unique perception of the movie by Russian intellectuals.
Keywords
Soviet movie,
society,
power,
Soviet press,
society,
power,
the film Bumbarash,
Soviet intellectuals
About the Author
E. V. Brodskaya
Russian State University for the Humanities
Russian Federation
Russian Federation
Evgeniya V. Brodskaya, Cand. of Sci. (Philology)
6, Miusskaya Sq., Moscow, 125047
References
1. Brodskaya, E.V. (2023), “Elusive reality of the early Soviet cinema, or the Civil War in the furnance of propaganda locomotive: “The Red Devils” by I. Perestiany”, Umolchanie: Interpretatsiya kul’turnykh kodov [Omission. The interpretation of cultural codes], Nauka, Saratov, Russia, pp. 209–219.
Review
For citations:
Brodskaya E.V. The discourse of the Civil War in the Soviet culture of the early 1970-s and “the naïve optic” of the view. The film Bumbarash. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(11):164-175. (In Russ.) https://doi.org/10.28995/2686-7249-2024-11-164-175
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