Preview

RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series

Advanced search

Waiting for Doomsday and the chronotope of the Old English Christian epic

https://doi.org/10.28995/2686-7249-2025-5-120-130

Abstract

The article examines the chronotope features of the scenes that depict waiting for Doomsday in Old English Christian epic. Addressing this theme in a poetic work involved portraying future events, which was atypical for epic narration, as its fundamental subject was depicting the idealised past. The violation of the “epic distance” by evaluating the described events from an external perspective could occur in the heroic epic of the Anglo-Saxons. This paper demonstrates that the Christian epic employs not only the ability to assess events but also combines different temporal layers and describes the future in more concrete terms than the heroic epic while incorporating the present – that is, the time of the narration – into the narrative perspective. This change in chronotope differentiates Christian epic from heroic epic, allowing for the distinction of the former as a separate genre, particularly in the light of the ambiguous boundaries between genres within Old English poetic tradition.

About the Author

M. V. Yatsenko
Saint Petersburg State University of Telecommunications; St. Petersburg State University
Russian Federation

Maria V. Yatsenko, Dr. of Sci. (Philology), associate professor

bldg. 1, bld. 22, Bolshevikov Av., Saint Petersburg, 193232

7/9, Universitetskaya Emb., Saint Petersburg, 199034



References

1. Bakhtin, M.M. (1975), “Forms of time and chronotope in the novel (Scetches on historical poetics)”, in Bakhtin, M.M. Voprosy literatury i estetiki. Issledovaniya raznykh let, [Issues of literature and esthetics: research of various years], Khudozhestvennaya literatura, Moscow, USSR, pp. 234–407.

2. Bakhtin, M.M. (1975), “Towards a methodology for the study of the novel)”, in Bakhtin, M.M. Voprosy literatury i estetiki. Issledovaniya raznykh let, [Issues of literature and esthetics: research of various years], Khudozhestvennaya literatura, Moscow, USSR, pp. 447–483.

3. Chupryna, O.G. (2000), Predstavleniya o vremeni v drevnem yazyke i soznanii (na materiale drevneangliiskogo yazyka) [Time perception in old language and mindset (on Old English)], Prometei, Moscow, Russia.

4. Gurevich, A.Ya. (2006), “Paganism of Christians and Christianity of Pagans”, in Gurevich, A.Ya., Izbrannye trudy: Krest’yanstvo srednevekovoi Norvegii, Izdatel’stvo Sankt-Peterburgskogo universiteta, Saint Petersburg, Russia, pp. 109–115.

5. Gvozdetskaya, N.Yu. (2017), “Lyrical epilogue to the Old English poem ‘Elene’: genre problem”, in Malkina, V.Ya. and Tyupa, V.I., eds., Liricheskaya evolyutsiya: k 70-letiyu Darvina (Mikhaila Nikolayevicha) [Lyrical evolution: to the 70-th anniversary of Darvin (Mikhail Nikolaevich)],, Editus, Moscow, Russia, pp. 98–109.

6. Kabir, A.J. (2001), Paradise, death and Doomsday in Anglo-Saxon literature, Cambridge University Press, Cambridge, UK.

7. Smirnitskaya, O.A. (1982), “The poetic art of Anglo-Saxons”, in Smirnitskaya, O.A. and Tikhomirov, V.G., comps., Drevneangliiskaya poeziya, Nauka, Moscow, USSR, pp. 171–232.

8. Steblin-Kamenskii, M.I. (1976), Mif [Myth], Nauka, Leningrad, USSR.


Review

For citations:


Yatsenko M.V. Waiting for Doomsday and the chronotope of the Old English Christian epic. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2025;(5):120-130. (In Russ.) https://doi.org/10.28995/2686-7249-2025-5-120-130

Views: 7


Creative Commons License
This work is licensed under a Creative Commons Attribution 4.0 License.


ISSN 2073-6355 (Print)