The exhibition “Russian tile” in the Novodevichy Convent (1980–1998). From the history of the exhibiting of architectural ceramics collection of the State Historical Museum
https://doi.org/10.28995/2686-7249-2025-7-139-159
Abstract
This article analyzes the monographic exhibition project devoted to Russian tile art implemented in the State Historical Museum. The exhibition was opened in 1980 in the halls of the Choir Hall of the Moscow Novodevichy Convent which at that time has been a branch of the SHM. About two thousand tiles most of which belong to the Historical Museum, and also about fifty other objects of decorative and applied art from the SHM funds and about a hundred slides were presented at the exhibition.
The author examines unpublished archives of the Department of Ceramics and Glass, of the Department of Written Sources and of the Department of Accounting of the Historical Museum and the real monuments from the fund of tiles of the SHM, provides a characterization of approaches to the exhibition of the tiles.
The author concludes that the exhibition “Russian tile” is a significant stage in the history of the formation of ideas about the tile as a subject for exhibiting as a result of research. The concept of the exhibition, aimed at showing the tile as works of decorative and applied art is relevant to its time and provides opportunities for further study and exposure of the Russian tiles based on a modern approach to this as a historical source.
About the Author
N. I. IordanskayaRussian Federation
Nadezhda I. Iordanskaya
1, Red Sq., Moscow, 109012
References
1. Baranova, S.I. (2012), “The main approaches to study of the Moscow tiles”, RSUH/ RGGU Bulletin, “Cultural Studies. Art Studies. Museology” Series, no. 11 (91), pp. 242–249.
2. Baranova, S.I. (2019), “The project of the exhibition of artistic architectural ceramics in Moscow, 1934–1935. According to the materials of A.V. Filippov archive”, RSUH/RGGU Bulletin: “Literary Theory. Linguistics. Cultural Studies” Series, no. 8, pp. 83–99.
3. Baranova, S.I. (2022), “Tile as a phenomenon of the Russian culture: sources and study”, Tomsk State University Journal of History, no. 77, pp. 174–188.
4. Baranova, S.I. (2023), “Russian tile in the workshop of Abramtzevo: the innovation in the name of tradition”, in S.I. Mamontov i russkaya khudozhestvennaya kul’tura vtoroi poloviny XIX – nachala KhKh v.: K 180-letiyu so dnya rozhdeniya: Mikhail Vrubel’: Epokha i lichnost’ [S.I. Mamontov and the Russian art culture of the second half of the 19th – early 20th century. By the 180th birthday. Mikhail Vrubel. Epoch and personality], Moscow, Russia, pp. 109–124.
5. Glazunova, O.N. (2013), “The tiles in the cultural layer of the New Jerusalem: planigraphy, statistic, attribution”, Rossiiskaya arkheologiya, no. 1, pp. 70–79.
6. Kuznetsova, O.A. (2024), “The stove tiles as the source of information about the existing of the plots of fables in Russia in 18th century”, in Podlinnik: Voprosy atributsii i restavratsii, no. 2, pp. 89–107.
7. Nemtsova, N.I. (1990), “To the question of classification of the Russian tiled stoves of the 18th century”, in Restavratsiya i issledovaniya pamyatnikov kul’tury [Restoration and research of cultural monuments], Stroiizdat, Moscow, USSR, iss. 3, pp. 40–52.
8. Saltykov, A.B. (1963), “The tiles”, in Leonov, A.I., ed., Russkoe dekorativnoe iskusstvo: XVIII vek [Russian decorative art. 18th century], Izdatel’stvo Akademii khudozhestv SSSR, Moscow, USSR.
Review
For citations:
Iordanskaya N.I. The exhibition “Russian tile” in the Novodevichy Convent (1980–1998). From the history of the exhibiting of architectural ceramics collection of the State Historical Museum. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2025;(7):139-159. (In Russ.) https://doi.org/10.28995/2686-7249-2025-7-139-159