On the question of renovating the paintings in St. George's Cathedral at Yuriev Monastery
https://doi.org/10.28995/2686-7249-2019-1-2-155-161
Abstract
The article deals with the fragments of wall painting, accompanied with traces of renovation, that were discovered during the architectural and archaeological survey of St. George's Cathedral at Yuriev Monastery. The author analyzes the various explanations of the black brush-strokes which appear among the group of fragments, drawing on the results of physical and chemical analysis.
Supporting agencies: This work was supported by the All-Russian public organization "Association of Art critics" (State Scholarship 2017).
About the Author
T. K. Fedorenko
Interregional Agency for Scientific Restoration of Works of Art
Russian Federation
Russian Federation
Tat'yana K. Fedorenko, Cand.of Sci. (Art history)
bld. 24/1, Kadashevskaya emb., Moscow, 115035
References
1. Karger MK. Excavations and restoration works in the St. George Cathedral in Yur'ev monastery in Novgorod (1933-1935). (1933-1935). V: Soviet Archeology. Moscow; Leningrad: Izdatel'stvo Akademii nauk SSSR Publ.; 1946. Vol. VIII. 320 p. (In Russ.)
2. Tsarevskaya TYu. Recent information about the original murals in St. George Cathedral of Yuriev Monastery in Novgorod the Great. V: Art of Christian World. Moscow: Izdatel'stvo PSTGU Publ.; 2016. Vol. XIII. 568 p. (In Russ.)
3. Sedov VV, Etingof OE. New data about the architecture and frescoes of St. George's Cathedral in St. George's Monastery. V: Architectural Heritage. Moscow; Saint Petersburg: Kolo Publ.; 2016. Vol. 65. 296 p. (In Russ.)
4. Etingof OE. New data about murals of the naos of St. George's Cathedral in St. George's Monastery. V: Works of the Central Andrey Rublev Museum of Ancient Russian Culture and Art. Moscow: The Central Andrey Rublev Museum of Ancient Russian Culture and Art Publ.; 2017. Vol. XIV. 704 p. (In Russ.)
5. Dneprovskaya MB., Dubik OYu. Complex analysis of pigments of the wall paintings of the Church of the virgin of Bertubani (David-Gareji, historical Georgia). V: Artistic heritage. Keeping, research, restoration. Moscow: RIO GosNIIR Publ.; 1995. Vol. 16. 130 p. (In Russ.)
6. Dneprovskaya MB., Kuks YuM., Kuks T. Analysis of the connecting medieval wall paintings by David-Gareji. V: Artistic heritage. Keeping, research, restoration. Moscow: RIO GosNIIR Publ.; 1995. Vol. 16. 130 p. (In Russ.)
7. Naumova MM. Techniques of medieval painting. Modern view by the results of research. Moscow: RIO GosNIIR Publ.; 1999. 88 p. (In Russ.)
8. Bethell GS. The restoration of the frescoes of the 12 th century at the top of the tower of St. George Cathedral in Yur'ev monastery in Novgorod. V: Monuments of culture. New discoveries. Yearbook 1990. Moscow: Krug" Publ.; 1992. 496 p. (In Russ.)
9. Study of the of soil fragments with a colorful layer of wall paintings from the St. George Cathedral of the Yuriev monastery (Novgorod) and the Church of Mar Girgis,12 th c., Raсhkida (Lebanon). Saint Petersburg: Sankt-Peterburgskii gosudarstvennyi akademicheskii institut zhivopisi, skul'ptury i arkhitektury imeni I.E. Repina Publ.; 2016. 28 p. (In Russ.)
10. Filatov VV. To the history of the technique of wall painting in Russia. V: Old Russian art. Art culture of Pskov. Moscow: Nauka Publ.; 1968. 232 p. (In Russ.)
Review
For citations:
Fedorenko T.K. On the question of renovating the paintings in St. George's Cathedral at Yuriev Monastery. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2019;(1-2):155-161. (In Russ.) https://doi.org/10.28995/2686-7249-2019-1-2-155-161
Views:
210
Email this article 