“Here is my plan”. An artistic detail and its role in the formation of semantics of the time flow in The Cherry Orchard by Chekhov
https://doi.org/10.28995/2686-7249-2021-3-53-64
Abstract
About the Author
E. A. MaryakhinaRussian Federation
Elena A. Maryakhina, applicant
bld. 6, Miusskaya Sq., Moscow, 125993
References
1. Chernets, L.V. (1999), “Detail”, in Chernets, L.V. (ed.), Vvedenie v literaturovedenie. Literaturnoe proizvedenie: osnovnye ponyatiya i terminy: Ucheb. Posobie [Introduction to literature studies. Work of literature. The main concepts and terms. A textbook], Vysshaya shkola, Academia, Moscow, Russia, pp. 42–51.
2. Chudakov, A.P. (2016), Poetika Chekhova. Mir Chekhova: Vozniknovenie i utverzhdenie [Chekhov’s poetics. Chekhov’s World. Origins and Assertion], Azbuka, AzbukaAttikus, Saint Petersburg, Russia.
3. Hansen-Löve, Aage A. (2003), Russkii simvolizm. Sistema poeticheskikh motivov [Russian symbolism. The system of poetic motifs], Akademicheskii proekt, Saint Petersburg, Russia.
4. Ivleva, T.G. (2001), Avtor v dramaturgii A.P. Chekhova [Author in Chekhov’s dramaturgy], Tverskoi gos. universitet, Tver’, Russia.
5. Kofman, A.F. (2013), “Literary space and time in ‘The Seagul’, ‘Three sisters’, and ‘The Cherry Orchard’ by Chekhov”, Culture and Art, no. 5 (17), pp. 516–524.
6. Romodanovskaya, Y.K. (ed.-in-chief) (2003), Slovar’-ukazatel’ syuzhetov i motivov russkoi literatury. Eksperimental’noe izdanie. Vyp. 1. [Dictionary-directionary of plots and motifs in Russian literature. Experimental publication, vol. 1], SO RAN, Novosibirsk, Russia.
7. Romodanovskaya, Y.K. (ed.-in-chief) (2009), Slovar’-ukazatel’ syuzhetov i motivov russkoi literatury. Eksperimental’noe izdanie. Vyp. 3, ch. 2 [Dictionary-directionary of plots and motifs in Russian literature, Experimental publication, vol. 3, part 2], SO RAN, Novosibirsk, Russia.
8. Senderovich, S. (2007), “Chekhov’s last joke”, Literature Issues, no. 1, pp. 290–317, available at: http://sobolev.franklang.ru/index.php/konets-xix-veka/74-s-senderovichposlednyaya-shutka-chekhova (Accessed 5 February 2021).
9. Shalygina, O.V. (2007), “Ontologization of the time flow in rhythmic composition of ‘The Cherry Orchard’ by Anton Chekhov”, Chelyabinsk State University Bulletin (Vestnik Chelyabinskogo gosudarstvennogo universiteta), Philology, Art Studies, vol. 17, no. 22 (100), pp. 157–168.
10. Silant’ev, I.V. (2004), Poetika motiva [Poetics of motif], Yazyki slavyanskoi kul’tury, Moscow, Russia.
11. Skaftymov, A.P. (1972), “Principles of structure in Chekhov’s plays”, in Skaftymov, A.P., Nravstvennye iskaniya russkikh pisatelei: Stat’i i issledovaniya o russkikh klassikakh [The moral search undertaken by Russian writers. Articles and research on Russian classic authors], Khudozhestvennaya literatura, Moscow, Russia, pp. 404–435.
12. Sukhikh, I.N. (2001), “A string is tingling in the fog. 1903. ‘The Cherry Orchard’ ”, in Sukhikh, I.N., Knigi ХХ veka: russkii kanon: esse [Books of the 20 th century. Russian canon. Essays], Nezavisimaya Gazeta, Moscow, Russia, pp. 19–44.
13. Tyupa, V.I. (2008), “Detail”, in Tamarchenko, N.D. (ed.-in-chief), Poetika. Slovar’ aktual’nykh terminov i ponyatii [Poetics. The dictionary of modern concepts and terms], Izdatel’stvo Kulaginoi, Intrada, Moscow, Russia, p. 54.
14. Veselova, N.A. (2006), “On the flora and fauna in ‘The Cherry Orchard’ ”, in Domanskii, Y.V. and Clayton, J.D. (ed.), Chekhovskie chteniya v Ottave: Sb. nauch. Trudov [Chekhov’s conference in Ottawa. A collection of scholarly papers], Tver’, Russia; Ottawa, Canada, pp. 230–238.
Review
For citations:
Maryakhina E.A. “Here is my plan”. An artistic detail and its role in the formation of semantics of the time flow in The Cherry Orchard by Chekhov. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2021;(3):53-64. (In Russ.) https://doi.org/10.28995/2686-7249-2021-3-53-64