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RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series

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No 7 (2016)
https://doi.org/10.28995/2686-7249-2016-7

CULTURAL HISTORY OF RUSSIA AS AN ISSUE

9-14 246
Abstract
In the article the major directions and themes of research by professor Marina P. Mokhnacheva within the context of the academic school of the Historic-Archives Institute are highlighted.
15-20 240
Abstract
In the article the cognitive and methodological dimensions of the problem of cultural history are highlighted. Author emphasizes the fact that the reconstruction of self-consciousness and the lifeworld of a historical epoch is the main goal of the cultural history.
21-46 277
Abstract
It is promising to construct the historiography of cultural studies in Russia not chronologically but according to the principle of problematisation which reveals correlations at the ideological, methodological and theoretical levels. Evidently, in the study of culture it is possible to find out certain locations, families, groups of personalities, which are intersecting and form the common theoretical and philosophical area. But even in the close practices of research the historians of science come across different paradigms of study of culture. This is exactly all those types of paradigms (or styles of humanitarian cognition) - comprehended in a broadest possible sense - what are examined by the author of this article by the example of A.S. Lappo-Danilevsky (epistemological approach), P.M. Bitsilli (historical approach), A.F. Losev (philosophical approach), and D.S. Likhachev (cultural approach as such).
47-67 477
Abstract
In the article the stereotypes of perception of the images and actions of the Moscow XVII century streltsy, and new versions and approaches to reconsidering the stereotypes according to the research (within the framework of cultural history) of self-consciousness of the streltsy are considered.
68-88 248
Abstract
At the very core of Frank’s perception of culture there is the primary I-You relation. On the one hand, it separates the culture from the world of distinct things in which there are the subject-object connections; on the other hand, it transfers the researcher’s position inside the space of culture. An art is the most pure manifestation of culture, which turns to be the model of pure existence, not divided into different subjects and therefore perceived by intuition. The culture for Frank is not an object to be contemplated but the very type of relationship of man and reality.
89-94 310
Abstract
The history was always a state science for Catherine II. In her drama writings the Empress tried to show the image of an ideal ruler, and to exemplify the authenticity and necessity of the autocratic power in Russia, as well as its civilizing mission. She also touched the issue of succession to the throne which was particularly poignant for her. Although in her tragedies, contrary to reality, it was being solved without violence and blood.
95-116 227
Abstract
In the article scenarios of revolutionary feasts for children in the 1920-1930s are analyzed. They are considered as the original facts of the history of cultural policy of the Soviet state towards the children. They reflected the dynamic of percertion of the forms of children’s socialization in the Soviet society: from their preparation for the active participation in the immediate “world revolution” by the means of suppressing of a child - to their preparation for the future responsible life with the help of harmonious combination of labour and recreation in the country of “victorious socialism”.
117-137 260
Abstract
In the article the periods of formation and the particularities of historiographic development of the British academic Russian studies - from the first major works of the English historians on Russian history to the British sovietology of the XXth century are examined.


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ISSN 2073-6355 (Print)