The category «observer» in the system of levels of the artistic whole
https://doi.org/10.28995/2686-7249-2024-10-14-24
Abstract
The article summarizes the results of analyzing the systemic relations of the category «observer» with the levels of artistic work: focal, glossal, plot, compositional, rhythmo- and mythotectonic, – which are considered through the prism of the methodology of functional pragmatism. The levels are typologized in accordance with three dimensions: concreteness – abstraction; isolation – fusion of aesthetic subject, object and addressee; meaning – text.
About the Author
D. A. Makhov
Russian State University for the Humanities
Russian Federation
Russian Federation
Dmitrii A. Makhov, postgraduate student
bld. 6, Miusskaya Square, Moscow, 125047
References
1. Bakhtin, M.M. (1979), Estetika slovesnogo tvorchestva [Aesthetics of the verbal creative work], Iskusstvo, Moscow, USSR.
2. Leshchak, O.V. (2008), Osnovy funktsional’no-pragmaticheskoi teorii yazykovogo opyta: analitika, kritika, tipologiya [Foundations of the functional-pragmatic theory of linguistic experience. Analytics, criticism, typology], Ternopol’skii eksperimental’nyi institut pedagogicheskogo obrazovaniya, Ternopil, Ukraine.
3. Uspensky, B.A. (1995), Semiotika iskusstva [Semiotics of art], Shkola “Yazyki russkoi kul’tury”, Moscow, Russia.
Review
For citations:
Makhov D.A. The category «observer» in the system of levels of the artistic whole. RSUH/RGGU Bulletin: “Literary Teory. Linguistics. Cultural Studies”, Series. 2024;(10):14-24. (In Russ.) https://doi.org/10.28995/2686-7249-2024-10-14-24
Views:
58
Email this article 