The article presents a view of media and communicative space from the perspective of the synergetic paradigm. It is proposed to consider the communicative space as a material-ideational self-organising system, as a result of the evolution of which media space emerged. That kind of an approach allows studying the emerging fusion of the mass and interpersonal communication, which affects the work of editorial offices. The article describes the elements of such a system, which the author describes as: the subjects of communication, the place of their interaction, media (from symbolic to technical) and knowledge and conventions as the subject and result of communication.

The article analyzes the project activities implemented at the Faculty of Journalism of the Russian State University for the Humanities within the discipline “Information technologies in the media system”, aimed at the formation of universal competencies. First-year students create a scientific script, shoot a report and make a presentation of their work. The development of universal competencies takes place at all stages of the project.

One of the consequences of the modern system of information exchange, which includes both centralized (mass media) and distributed (social networks) sources of information, is the development of manipulative techniques of the public opinion formation, the totality of which, together with the fake content that has become commonplace, is called “post-truth”. In the era of post-truth, every person can find facts and hypotheses that fully meet his or her desires and confirm his or her position, and yet are extremely far from the truth. The article deals with the phenomenon of post-truth in the conditions of development of information and communication technologies and modern socio-political discourse. In particular, the concept of “post-truth” and its characteristic features are considered, the role of post-truth in the modern information space is studied, the ways of neutralizing the influence of post-truth on the opinions and judgments of the audience are presented.

Modern journalism education requires new approaches to educational trajectories. The article about understanding the experience of teaching disciplines related to journalism and modern foreign media systems, and the use of such methods as lecture-presentation, work with multimedia, work on an individual project. The author analyzes the results of work in different universities, work with Russian and foreign students.

The topic of volunteering is one of the most relevant social topics in the modern media space. Popularization of volunteering is defined as distribution and creation of some publications about volunteering activities, which are available to a wide audience in a positive form through various media channels. There are a huge number of projects about volunteerism. Volunteer activities are also organized by schools, universities, to show that volunteerism still exists, as well as to increase the role of volunteering in the development of society, the participation of volunteers in solving urgent social problems. But the dissemination of information about a particular volunteer organization is slow or does not happen at all. This article will consider how at the moment the topic of volunteering is covered and how it is relevant in today’s society.

The article considers the popularity of corporate media in the modern Russian media landscape. The author cites the results of studies that indicate the demand for this type of media. In addition, the issue of content submission technologies, which are most popular among media authors, is being considered. Such technologies include data visualization using infographics, graphs and tables, as well as content submission through expert opinion. The author tracks the use of these technologies using the example of materials from one of the popular modern corporate media. This is the media bank of Sber “SberPro Media”.

The article deals with the current state of game journalism, i.e. journalism related to video games. The author of the article discusses how game journalism uses various channels and platforms to communicate with the audience and provide its own content. The main part of the article analyzes the peculiarities of the review genre in video game journalism. Analyzing the scientific literature, the author of the article comes to the conclusion that the genre of review in game journalism does not correspond to the genre with the same name in traditional media. It is argued that despite the rigid framework of the game industry, which assigns journalists primarily advertising functions, some of the reviewers seek to act primarily in the interests of game users, gamers. The review genre is analyzed on the materials of the rubrics of the game Internet portal “StopGame.ru”.

The article is devoted to the study of the phenomenon of multimedia projects in the modern media space. The problem of the study is the lack of a unified concept of a multimedia project and its criteria, which, in turn, makes it difficult for journalists to work with this direction in modern media. The empirical material of the study was the work of media researchers I.V. Nikishin, M.M. Luka, N.V. Kachkaeva, N.V. Kononov and special projects published in various media: Bird in Flight, Kommersant, Lifehacker, Secret Firms and No, it’s normal.
A multimedia project allows you to assimilate several formats on one platform, which can either increase the involvement of a modern audience and increase the depth of study of a topic, or interfere with the process of consuming the material.
The relevance of this study is due to the fact that the number of technical capabilities for the implementation of multimedia projects is increasing every year. And because of the speed of change in this format of Internet journalism, there is a need for constant analysis of approaches to producing such content. Initially, media projects were considered projects with a specific goal, a specific strategy, limited time and resources, and the presence of the head of a separate implementation team. But with the development of Internet communication, the mandatory presence of interactive elements was added to the existing criteria, and there were also trends towards commercialization and the presence of gamification elements.

Journalistic style over the past fifty years has undergone a rapid and complex path of development, closely related to the revolutionary changes in media that conditioned the extra-linguistic basis of style. The formation of publicist style took place in the sixties of the twentieth century within the framework of functional stylistics. At that time a terminological system was created, the main sub-styles were identified and the most important genres of publication style were described. Since the late twentieth and early twenty-first centuries, the theory of publicist style began to transform under the influence of discursive, digital and multimedia turns in linguistics. New genres and sub-styles have emerged and terminology has been updated. Current relevant issues are the scientific discussions on creation of integrative media-styleism, which includes the achievements of mediaology, gender studies, discursology and other fields of knowledge.

The article is about the use of “da net (yes no)” speech cliche in modern Russian newspaper, internet- and radiotexts. The analysis of the Kommersant publishing house in 2022–2023 makes it possible to identify such functions of the construction as mitigation of denial, organization of a question-and-answer passage, ironic clarification of the author’s thought, involvement of the addressee in the process of reasoning. In general, the conversational communicative provides dialogization of media text. The article notes that linguistic dictionaries lack adequate information about the meaning and use of the speech cliche “yes no”, and the task is to clarify the lexicographic fixation of the turnover, taking into account its implementation in modern Russian media language.