| |
| Issue |
Title |
| |
| No 1 (2022) |
The silver oklad of the Holy Gospel from the Cathedral of the Annunciation in the city of Solvychegodsk and similar works of the Stroganov craftsmen |
Abstract
PDF (Rus)
|
|
V. V. Igoshev |
| |
| No 1 (2022) |
Wooden “Crucifixion” by Filippo Brunelleschi and Masaccio’s fresco “Trinity” |
Abstract
PDF (Rus)
|
|
E. I. Tarakanova |
| |
| No 1 (2022) |
Architecture in painting: the predella of 15th century Sienese polyptychs |
Abstract
PDF (Rus)
|
|
V. M. Gabovich |
| |
| No 1 (2022) |
The Murano diptych. An Early Byzantine ivory book cover |
Abstract
PDF (Rus)
|
|
M. A. Lidova |
| |
| No 1 (2022) |
The methods of copying and quoting for the production of West-European book miniatures of the 9th–12th centuries. The problems of classification |
Abstract
PDF (Rus)
|
|
A. V. Pozhidaeva |
| |
| No 1 (2022) |
“Codex of Conrad Sacristan” and images of authority in German book illumination of the second half of 12th century |
Abstract
PDF (Rus)
|
|
E. V. Zotova |
| |
| No 1 (2022) |
“The Wisdom of God” in the mosaics of the Cathedrale Monreale |
Abstract
PDF (Rus)
|
|
L. M. Evseeva |
| |
| No 1 (2022) |
12th century gusli with zoomorphic decorum from Novgorod: Western European analogies and possible symbolic meaning |
Abstract
PDF (Rus)
|
|
A. A. Slapinia |
| |
| No 1 (2022) |
“Christ Pantocrator” of the 13th century from the collection of Rublev museum in the context of Greek-Russian relations |
Abstract
PDF (Rus)
|
|
O. E. Etinhof |
| |
| No 1 (2022) |
Brush-strokes for a portrait |
Abstract
PDF (Rus)
|
|
M. N. Sokolov |
| |
| No 1 (2022) |
“Grand Style” in Bosporan art: evidence, origins and development |
Abstract
PDF (Rus)
|
|
E. А. Savostina |
| |
| 1 - 11 of 11 Items |
|
