“THE NEW ART” AND CULTURE OF THE 20TH CENTURY
Issue | Title | |
No 4 (2025) | French cinema and immigration. School case and Islam | Abstract PDF (Rus) |
Natalia V. Kazurova, Ekaterina Yu. Trushkina | ||
No 2 (2024) | The space of women’s freedom in Azerbaijani cinema of the 1920–1930s. Between adat and Soviet ideology | Abstract PDF (Rus) |
N. V. Kazurova, E. Yu. Trushkina | ||
No 2 (2024) | Main categories of early Soviet art | Abstract PDF (Rus) |
E. S. Grigorieva | ||
No 2 (2024) | Animals of the High North in Borisov’s painting | Abstract PDF (Rus) |
M. S. Lyutaeva | ||
No 4 (2023) | Attempt to escape. “Knife in the Water” by Roman Polanski | Abstract PDF (Rus) |
S. S. Avanesov | ||
No 2 (2023) | The corporeal in the video installations of Iranian-American artist and filmmaker | Abstract PDF (Rus) |
N. V. Kazurova, E. Yu. Trushkina | ||
No 2 (2023) | Strange school for strange heroes. Transforming ordinary space in “The School Nurse Files” TV series | Abstract PDF (Rus) |
A. V. Tarasova | ||
No 4 (2021) | The nature of the image within technological art in the mid – 20th century. Lumino Kinetic experiments by Frank Malina | Abstract PDF (Rus) |
I. N. Zakharchenko, O. M. Shchedrina | ||
No 4 (2021) | The Road Movie genre in the West movies and the Muslim East cinematography | Abstract PDF (Rus) |
N. V. Kazurova, E. Y. Trushkina | ||
No 5 (2019) | “Living very well”: Emotional scenario by A.G. Rzheshevskii as directed by V.I. Pudovkin | Abstract PDF (Rus) |
S. A. Ogudov | ||
No 5 (2019) | “What are they worried about? Why are they smiling?”: Emotional repertoire in magazines’ photography of the Thaw | Abstract PDF (Rus) |
E. I. Vikulina | ||
No 5 (2019) | Non-diegetic aesthetic fact in the space of film: Christian personalistic context | Abstract PDF (Rus) |
B. V. Reyfman | ||
No 9 (2017) | The State Museum of Ceramics in 1928-1932. Creating “The Manufacturing Museum” | Abstract PDF (Rus) |
Nadezhda Zubanova | ||
No 9 (2017) | The Theory of Nikolay Tarabukin’s Artistic Spaces (the 1920s) | Abstract PDF (Rus) |
Yulij Asoyan | ||
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