MEDIA STUDIES
Issue | Title | |
No 9(2) (2021) | The image of Peter I and his era in board and computer games | Abstract PDF (Rus) |
D. S. Artamonov, E. S. Sonina | ||
No 9(2) (2021) | “Fandom activities”. “Kreativ” of the masses in the era of total creativity | Abstract PDF (Rus) |
I. M. Bykhovskaya, I. Yu. Lyulevich, D. V. Dzigua | ||
No 9(2) (2021) | Virtual academic mobility in higher education | Abstract PDF (Rus) |
I. Yu. Gagarina, O. M. Kulikova, I. I. Lisovich | ||
No 9 (2021) | Digital light as a concept of media theory | Abstract PDF (Rus) |
O. M. Shchedrina | ||
No 9 (2021) | Historical consciousness in internet memes: towards a problem statement | Abstract PDF (Rus) |
D. A. Kostoglotov | ||
No 9 (2021) | Fashion bloggers as celebrity experts in Russian-spoken segment of social media | Abstract PDF (Rus) |
Z. K. Salamova | ||
No 8 (2020) | Collective memory of the Soviet past on YouTube: techniques for audiovisual construction by ordinary video bloggers | Abstract PDF (Rus) |
G. I. Zvereva | ||
No 8(2) (2019) | Mediatization of the collective memory of the 1990s in RuNet | Abstract PDF (Rus) |
V. N. Merzlyakova | ||
No 8 (2019) | Radio voice as regime of intermediality in Soviet culture | Abstract PDF (Rus) |
V. V. Pluzhnik | ||
No 8 (2019) | The concepts of platform society in contemporary socio-cultural research | Abstract PDF (Rus) |
G. I. Zvereva | ||
No 8 (2018) | Mechanisms of identity formation in social movements. By the material of Russian-speaking Internet | Abstract PDF (Rus) |
Natal’ya S. Galushina | ||
No 8 (2018) | The privacy paradox: why users of social media disclose personal information in public space | Abstract PDF (Rus) |
Elena S. Pronkina | ||
No 10-2 (2017) | Functional Features of the Contemporary Theatrical Movie Trailer | Abstract PDF (Rus) |
Gleb Sukovatykh | ||
No 10-2 (2017) | Storytelling about “True Crimes” in Audio Podcasts: Ways of Interaction between the Authors and the Audience | Abstract PDF (Rus) |
Zemfira Salamova | ||
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