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| Issue |
Title |
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| No 2 (2025) |
The leitmotif of illness in the novel “Doctor Zhivago” by B. Pasternak |
Abstract
PDF (Rus)
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Elizaveta A. Shishkina |
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| No 2 (2025) |
Comparative analysis of the linguistic features of the Indian version of English, British English and Russian |
Abstract
PDF (Rus)
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Irina G. Zhirova |
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| No 2 (2025) |
Pavlovsk as a sacral locus in the poetic world of Leonid Aronzon |
Abstract
PDF (Rus)
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Arkadii A. Chevtaev |
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| No 2 (2025) |
Green color in the poems by A. Tarkovsky and Yu. Levitansky (“There was a house with three windows...” and “September. A holiday of green color”) |
Abstract
PDF (Rus)
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Victoria Ya. Malkina |
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| No 2 (2025) |
“School For Fools” as a metafiction. The problem of subjective neosyncretism |
Abstract
PDF (Rus)
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Grigorii A. Filippov |
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| No 2 (2025) |
Rock culture and literature of the USSR in the 1970–1980s. Common ground |
Abstract
PDF (Rus)
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Boris V. Pozhenin |
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| No 2 (2025) |
“Universal Great Love” by E. Letov. Once again about the pretext |
Abstract
PDF (Rus)
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Denis L. Karpov |
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| No 2 (2025) |
The smell of oil. On some literary contexts for Yegor Letov’s “Oil Formula” |
Abstract
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Yurii V. Domanskii |
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| No 2 (2025) |
The neosyncretic subject in the rock poetry of Alexander Bashlachev |
Abstract
PDF (Rus)
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Xiangling Zhu |
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| No 2 (2025) |
Strategies of constructing a lyrical subject in the poetry of Anna Gorenko |
Abstract
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Marina G. Berezina |
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| No 2 (2025) |
The ecopoetry of Anna Rodionova. Concepts, environments and mirages |
Abstract
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Aleksei E. Masalov |
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| No 2 (2025) |
The lyrical subject in the poetry of V. Borodin (on the material from the collections “Losinyi Ostrov,” “Pes” and “Cloud nine”) |
Abstract
PDF (Rus)
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Ilya A. Peshkov |
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| No 2 (2025) |
Methodology of imagological analysis |
Abstract
PDF (Rus)
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Elena V. Papilova |
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| No 2 (2025) |
Personae doctoris in Virgil’s “Georgics” |
Abstract
PDF (Rus)
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Olga V. Sharshukova |
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| No 2 (2025) |
Archiving the memory. Historical representation in documentary poetry |
Abstract
PDF (Rus)
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Anastasia R. Nikonova |
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| No 2 (2025) |
The little Creator of great art. An intermedial character in J.R.R. Tolkien’s short story “Leaf by Niggle” |
Abstract
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Stepan K. Rybalko |
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| No 2 (2025) |
Testing the limits. Judeo-Christian journalism of converted Jews and assimilators |
Abstract
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Georgii S. Prokhorov |
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| No 2 (2025) |
The ekphrasis in biofiction about artists. A case study of Giovanna Pierini’s La Dama con il Ventaglio |
Abstract
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Vladislava S. Sycheva |
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| No 2 (2025) |
Futurismovie. Abstruse language (zaum) and cinema gestes |
Abstract
PDF (Rus)
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Aleksandr V. Markov |
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| No 2 (2025) |
Concept TIME. On the issue of linguistic terms “definition”, “category”, “concept” in translation studies |
Abstract
PDF (Rus)
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Zalina B. Plieva |
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| No 2 (2025) |
Visual and musical metaphor in S. Krzhizhanovsky’s story “Nine crows” |
Abstract
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Polina S. Kazarinova |
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| No 2 (2025) |
A cognitive study of Russian antisense co-occurrence idioms |
Abstract
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Li Yuhan |
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| No 10 (2024) |
The poetics of the enumeration in an epic and lyric text («Queue» by G. Sapgir and «Queue» by V. Sorokin) |
Abstract
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S. Yu. Artemova, D. M. Krasotkin |
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| No 10 (2024) |
Chronotopic patterns in Russian rock poetry |
Abstract
PDF (Rus)
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A. V. Grigorieva |
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| No 10 (2024) |
The organization specifics of narration organization in V.V. Erofeev’s poem «Moscow – Petushki» |
Abstract
PDF (Rus)
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Zh. V. Shchukina |
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| No 10 (2024) |
The concept of conscience in Iskander’s later work |
Abstract
PDF (Rus)
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M. M. Kirova |
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| No 10 (2024) |
Boundaries of the fiction and documentary in the prose of S.A. Alexievich (on the basis of the novels «Boys in Zinc» and «Chernobyl Prayer») |
Abstract
PDF (Rus)
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A. R. Nikonova |
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| No 10 (2024) |
Crossing the moral boundary as a plot-forming factor in «Harassment» by K. Yarmysh* |
Abstract
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D. B. Tolstosheeva |
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| No 10 (2024) |
The ending of Pushkin’s «Feast in Time of Plague» in the context of the episode with the Old man from «The Tragic History of Doctor Faustus» by Christopher Marlowe |
Abstract
PDF (Rus)
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Yu. V. Domanskii |
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| No 10 (2024) |
The autopsychologism of the hero in the modern Russian and German prose (on the material of the works of R. Senchin and Chr. Kracht) |
Abstract
PDF (Rus)
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M. V. Larina |
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| No 10 (2024) |
The concept of the soul in Ivan Cankar’s short stories (on an issue of the motif complex) |
Abstract
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V. V. Starkova |
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| No 10 (2024) |
Allusions to Russian culture in Frank O’Hara works |
Abstract
PDF (Rus)
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I. A. Ezhov |
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| No 10 (2024) |
The real world and the imaginary world in Domenico Dara’s novel «Malinverno» |
Abstract
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T. A. Bystrova |
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| No 10 (2024) |
The visual and fantastic in Vadim Shefner’s poems |
Abstract
PDF (Rus)
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V. Ya. Malkina |
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| No 10 (2024) |
About some features of the poetic language of Sergei Stratanovsky |
Abstract
PDF (Rus)
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M. V. Pronin |
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| No 10 (2024) |
The role of musical inclusions in Turgenev’s dramatic texts |
Abstract
PDF (Rus)
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M. M. Odesskaya |
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| No 10 (2024) |
Autonomous staged narratives in A.P. Chekhov’s comedy «The Seagull» |
Abstract
PDF (Rus)
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Y. E. Krasnikov |
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| No 10 (2024) |
Ivan Shmelyov’s short story «Alien’s blood». Poetics and imagology |
Abstract
PDF (Rus)
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E. V. Papilova |
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| No 10 (2024) |
Deictic projections in Arseny Tarkovsky’s poem «The Book of Grass» |
Abstract
PDF (Rus)
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Е. I. Seifert |
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| No 10 (2024) |
«Is it really just for the sake of beauty?..» David Samoilov’s «Semyon Andreevich» and «The Tsyganovs» as an epic diptych |
Abstract
PDF (Rus)
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S. S. Boyko |
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| No 10 (2024) |
The category «observer» in the system of levels of the artistic whole |
Abstract
PDF (Rus)
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D. A. Makhov |
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| No 10 (2024) |
On the concept of artistic integration in the theory of modern art |
Abstract
PDF (Rus)
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L. S. Gurevich |
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| No 3 (2024) |
The life of Saint Guthlac. The issue of intertextuality in Old English hagiography |
Abstract
PDF (Rus)
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N. Yu. Gvozdetskaya |
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| No 3 (2024) |
The role of translation strategies in the construction of a poetic text in languages with different structures (“Jane Eyre” by Ch. Bronte) |
Abstract
PDF (Rus)
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E. S. Borodulina |
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| No 3 (2024) |
Two Chinese translations of the title of the novel “Chapaev”. From socialist realism to postmodernism |
Abstract
PDF (Rus)
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N. A. Efimenko |
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| No 3 (2024) |
The portrayal of Satan in John Milton’s “Paradise Lost” and Philip Pullman’s “His Dark Materials” trilogy |
Abstract
PDF (Rus)
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A. D. Biserova |
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| No 3 (2024) |
The feminine subject in the poems of Parvin Etesami |
Abstract
PDF (Rus)
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M. Najafi |
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| No 3 (2024) |
Parable genre strategy in the novel “Amsterdam” by I. McEwan |
Abstract
PDF (Rus)
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D. B. Tolstosheeva |
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| No 3 (2024) |
Postmodernism as the “sense of an ending” in the same name novel by J. Barnes |
Abstract
PDF (Rus)
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A. A. Martynov |
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| No 3 (2024) |
Poetics of historical memory in the novels of S.A. Alexievich “Last Witnesses” and “Secondhand Time” |
Abstract
PDF (Rus)
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A. V. Besova |
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| No 3 (2024) |
Event remarks in the play “That Very Day” by Yaroslava Pulinovich |
Abstract
PDF (Rus)
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Yu. V. Domanskii |
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| No 3 (2024) |
Explication of the author’s individuality with the help of a visual-verbal sign in a modern graphic novel and traditional Chinese calligraphy |
Abstract
PDF (Rus)
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A. V. Alekseev |
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| No 3 (2024) |
The intermedial hero/character in literature |
Abstract
PDF (Rus)
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S. K. Rybalko |
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| No 3 (2024) |
Metafictional commentary of auctorial narrator in Mikhail Chulkov’s “Mocker” |
Abstract
PDF (Rus)
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I. D. Deikun |
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| No 3 (2024) |
Staged narratives in A.P. Chekhov’s humorous play “The Bear” |
Abstract
PDF (Rus)
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Ya. E. Krasnikov |
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| No 3 (2024) |
From “Three Sisters” to “Two Sisters”. Reduction as a technique for transforming an “alien” text in the process of reception |
Abstract
PDF (Rus)
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M. M. Odesskaya |
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| No 3 (2024) |
The sound puppet. Kant, Evreinov, and Khlebnikov |
Abstract
PDF (Rus)
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A. V. Markov |
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| No 3 (2024) |
“Who killed?”. From textological research to the diary of D.S. Merezhkovsky “It Was and Will Be” (1915) |
Abstract
PDF (Rus)
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A. A. Kholikov |
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| No 3 (2024) |
Color contrast in a literary text (based on short stories by E. Zamyatin and A. Grin) |
Abstract
PDF (Rus)
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M. A. Misnik |
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| No 3 (2024) |
“The Yiddish King Lear” by Jacob Gordin. A conversation with Russian audience in the background of European literary tradition |
Abstract
PDF (Rus)
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G. S. Prokhorov |
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| No 3 (2024) |
Visual images of memory in the poems of Yu. Levitansky “Remembrance of Colored Glass” and “Remembrance of Red Snow” |
Abstract
PDF (Rus)
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V. Ya. Malkina |
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| No 3 (2024) |
Categories of musical and visual in the plot of Yu. Levitansky’s poem “How to show autumn” |
Abstract
PDF (Rus)
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D. S. Sabitova |
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| No 3 (2024) |
About some features of the poetic language of Elena Schwartz |
Abstract
PDF (Rus)
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M. V. Pronin |
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| No 3 (2024) |
The continuation plot as a manifestation of self-reflection in Mike Naumenko’s songs “Suburban Blues” and “Suburban Blues no. 2” |
Abstract
PDF (Rus)
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Z. G. Stankovich |
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| No 3 (2024) |
On genetic links of F.A. Iskander’s works |
Abstract
PDF (Rus)
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M. M. Kirova |
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| No 3 (2024) |
History through the modernist lens |
Abstract
PDF (Rus)
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N. I. Reinhold |
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| No 3 (2024) |
The category of the observer in the novel. The experience of methodological reflection |
Abstract
PDF (Rus)
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D. A. Makhov |
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| No 10(2) (2020) |
Poetics of scholarly argument. Translation studies by Umberto Eco as literature |
Abstract
PDF (Rus)
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A. V. Markov |
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| No 10(2) (2020) |
Parameters of translation axiology. Theoretical justification within an interdisciplinary approach |
Abstract
PDF (Rus)
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E. S. Borodulina |
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| No 10(2) (2020) |
“The Times” coverage of the Crimean War in April 1854 |
Abstract
PDF (Rus)
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M. Yu. Bobkov |
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| No 10(2) (2020) |
“Bloody jackals are German fascist dogs!’ The image of the enemy in Tula newspapers in 1941 |
Abstract
PDF (Rus)
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S. Yu. Kondratenko |
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| No 10(2) (2020) |
Specifics of literary journalism on modern YouTube |
Abstract
PDF (Rus)
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A. I. Koval |
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| No 10(2) (2020) |
Features of the “walkthrough” genre in video game journalism (using the example of the portal “StopGame.ru”) |
Abstract
PDF (Rus)
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V. I. Leonov |
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| No 10(2) (2020) |
An act as a form of psychological representation in prose about the era of the Great Terror (“Tulaev’s Case” by V. Serge and “Imaginary Quantities” by N. Narokov) |
Abstract
PDF (Rus)
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E. A. Belousova |
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| No 10(2) (2020) |
On the issue of someone else’s word in lyrical cyclization. “Whisper, timid breathing...” by Afanasii Fet in Roald Mandelstam’s microcycle “Alba” <1>, “Alba” <2> and “Utro (Morning)” |
Abstract
PDF (Rus)
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Yu. V. Domanskii |
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| No 10(2) (2020) |
Prologues to the dice oracles of Asia Minor about the features of this type of mantic art |
Abstract
PDF (Rus)
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E. V. Prikhodko |
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| No 10(2) (2020) |
Vers libre from “Antigone”. An episode from the history of Russian free verse. Apollon Grigoriev – translator of the tragedy of Aeschylus |
Abstract
PDF (Rus)
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Yu. B. Orlitskii |
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| No 10(2) (2020) |
Transcultural symbol. On the definition of the concept |
Abstract
PDF (Rus)
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A. S. Markova |
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| No 10(2) (2020) |
The universal “we” of a generation. Lyrical subject and lyrical plot |
Abstract
PDF (Rus)
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V. Ya. Malkina |
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| No 10(2) (2020) |
Wooden constructivism. On the poetics of Walter Benjamin’s “Moscow Diary” |
Abstract
PDF (Rus)
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O. A. Bratina, A. V. Markov |
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| No 10(2) (2020) |
Constructive function of love narrative in Natalia Reznikova’s short stories |
Abstract
PDF (Rus)
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A. A. Аrustamova, A. V. Markov |
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| No 5 (2023) |
Narrative ethos of conscience |
Abstract
PDF (Rus)
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V. I. Tyupa |
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| No 5 (2023) |
On the question of hermeneutic parameters of the artistic word (“Military leader” by A.S. Pushkin) |
Abstract
PDF (Rus)
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Yu. V. Podkovyrin |
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| No 5 (2023) |
Polyphony, mimicry, and layered voicing – on Fyodor Dostoevsky’s creative method |
Abstract
PDF (Rus)
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T. V. Kovalevskaya |
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| No 5 (2023) |
Theatre of social: “Petersburg Slums” by V.V. Krestovsky and Leo Tolstoy’s “War and Peace” |
Abstract
PDF (Rus)
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A. V. Korchinsky |
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| No 5 (2023) |
The contingency of an event in history and fiction. Notes on the historicism of Leo Tolstoy’s “War and Peace” |
Abstract
PDF (Rus)
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A. V. Korchinsky, A. A. Kudalina |
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| No 5 (2023) |
Internal links in Chekhov. From Texts to Contexts (“The Bride” and “The Cherry Orchard”) |
Abstract
PDF (Rus)
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Yu. V. Domanskii |
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| No 5 (2023) |
V.S. Grossman’s military journalism of the second half of 1944 |
Abstract
PDF (Rus)
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Yu. G. Bit-Yunan |
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| No 5 (2023) |
Representation of corporeality in Pavel Ulitin’s non-mimetic writing |
Abstract
PDF (Rus)
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D. I. Sotnikov |
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| No 5 (2023) |
Boundaries of memory, forgetting and imagination in the poem of Yu. Levitansky “How slowly I was forgetting you!..” |
Abstract
PDF (Rus)
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D. S. Sabitova |
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| No 5 (2023) |
Transformation of the epitaph in the poetry of Tatiana Danilyants |
Abstract
PDF (Rus)
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S. Yu. Artemova |
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| No 5 (2023) |
Gender and aesthetic event in the “feminine” prose (on the materials of Barbara Kingsolver’s works) |
Abstract
PDF (Rus)
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V. A. Milovidov |
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| No 5 (2023) |
A lad insane / Aladdin Sane. David Bowie’s poetry in the context of American buddhism |
Abstract
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D. A. Tyulin |
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| No 3 (3) (2023) |
Egor Letov’s ‘eternal spring’ formula as a result and an object of creative reception |
Abstract
PDF (Rus)
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V. V. Serdechnaia |
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| No 3 (3) (2023) |
Comparative analysis of the fox symbol in Persian and Russian literature |
Abstract
PDF (Rus)
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М. Zahraei |
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| No 3 (3) (2023) |
On the theatricality of Th. Mann’s novel “Confessions of Felix Krull” |
Abstract
PDF (Rus)
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Y. V. Chernova, D. A. Belyakov |
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| No 3 (3) (2023) |
Classical myth and myth-making in Hilda Doolittle’s prose and poetry |
Abstract
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М. М. Dikun |
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| No 3 (3) (2023) |
The category of meaning in the notes of M.M. Bakhtin of the 1960s – early 1970s |
Abstract
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Y. V. Podkovyrin |
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| No 3 (3) (2023) |
Lyrical situation in the lyrical plot |
Abstract
PDF (Rus)
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V. Ya. Malkina |
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| No 3 (3) (2023) |
Тrojan plots in the Russian Chronograph of 1617 and the Swedish “Centuria Historiarum” |
Abstract
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М. Yu. Liustrov |
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| No 3 (3) (2023) |
Internal links in Chekhov. From Texts to Contexts (“A Drama,” “Ionych,” and “Sleepy”) |
Abstract
PDF (Rus)
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Y. V. Domanskii |
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| No 3 (3) (2023) |
The religious “Meaning of Love” in the life-making of A.A. Blok of the 1900s |
Abstract
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O. A. Bogdanova |
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| No 3 (3) (2023) |
French writers in the coverage of Nina Petrovskaya, critic and translator |
Abstract
PDF (Rus)
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М. V. Mikhailova |
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| No 3 (3) (2023) |
Ilya Zdanevich’s play “lidantU phAram” in a political and metapolitical context |
Abstract
PDF (Rus)
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М. Р. Odesskiy |
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| No 3 (3) (2023) |
Change of names. Khlebnikov, Aseev, and Bibler |
Abstract
PDF (Rus)
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A. V. Markov |
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| No 3 (3) (2023) |
Secondary authorial outsidedness and intertextuality. Arseny Tarkovsky and Yuri Kazarin |
Abstract
PDF (Rus)
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E. I. Seifert |
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| No 3 (3) (2023) |
The novel and the book. The composition of the Idyll Novel “A Gloom descends upon the Ancient Steps”1 by A.P. Chudakov |
Abstract
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S. S. Boiko |
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| No 3(2) (2023) |
Interdisciplinary approach to the study of the autofiction genre as a phenomenon of modern literature |
Abstract
PDF (Rus)
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A. D. Belogortsev |
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| No 3(2) (2023) |
Details as aspect of narrative palimpsest (Based on the novel by K. Yarmysh “Incredible Incidents in the Women’s Cell No. 3”) |
Abstract
PDF (Rus)
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D. B. Tolstosheeva |
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| No 3(2) (2023) |
Some philosophical ideas in Virgil’s “Georgics” |
Abstract
PDF (Rus)
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O. V. Sharshukova |
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| No 3(2) (2023) |
The observer category and mythotectonics in H. Meyrink’s “Angel of the Western Window”. Being through the eyes of an alchemist |
Abstract
PDF (Rus)
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D. A. Makhov |
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| No 3(2) (2023) |
Lieutenant Colombo – the last hero of the classical detective story |
Abstract
PDF (Rus)
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N. N. Kirilenko |
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| No 3(2) (2023) |
Introduction to biofiction. History and biography by the modern Italian writers |
Abstract
PDF (Rus)
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T. A. Bystrova |
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| No 3(2) (2023) |
The forms of self-reflection manifestation in the songs of F. Chistyakov “Northern Boogie” and “Northern Blues” |
Abstract
PDF (Rus)
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Z. G. Stankovich |
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| No 3(2) (2023) |
Two songs about a terrifyng house. The lyrical status of the prose elements |
Abstract
PDF (Rus)
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Yu. V. Domanskii |
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| No 3(2) (2023) |
The issue of the narrator in the narrative of madness and the mad narrative |
Abstract
PDF (Rus)
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Zh. V. Shchukina |
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| No 3(2) (2023) |
“The Abyss” by A.N. Ostrovsky. Reflection on melodrama and theater |
Abstract
PDF (Rus)
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M. M. Odesskaya |
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| No 3(2) (2023) |
Licenсia poetica in the lyrics of F.I. Tyutchev (From the experience of analyzing Tyutchev’s poem “I remember the Golden Time ...”) |
Abstract
PDF (Rus)
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M. N. Darvin |
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| No 3(2) (2023) |
While dreaming. Imaginary and fantastical space (“The Cave of Sleep” by N. Gumilev, “Dream” by N. Zabolotsky and “Dream” by A. Grin) |
Abstract
PDF (Rus)
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V. Ya. Malkina |
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| No 3(2) (2023) |
About some features of the poetic language of Leonid Aronzon and Viktor Krivulin |
Abstract
PDF (Rus)
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M. V. Pronin |
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| No 3(2) (2023) |
Locative sacral center in Alexander Bashlachev’s mythopoetic picture of the world |
Abstract
PDF (Rus)
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V. A. Gavriko |
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| No 3 (2023) |
Autofiction or pseudo-autobiography. Genre specifics in modern Russian literature |
Abstract
PDF (Rus)
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A. D. Belogortsev |
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| No 1 (2023) |
Autofiction or pseudo-autobiography. Genre specifics in modern Russian literature |
Abstract
PDF (Rus)
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A. D. Belogortsev |
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| No 3 (2023) |
Atlanersa’s obelisk |
Abstract
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Z. V. Makhachashvili |
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| No 3 (2023) |
Visual images of memory in the poems of Yu. Levitansky “So what if I was there…” and “Memory” |
Abstract
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V. Ya. Malkina |
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| No 3 (2023) |
Buddhist images in the prose and poetic works of E. Limonov. Between rejection and acceptance |
Abstract
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L. V. Dubakov |
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| No 3 (2023) |
The lyrical hero in rock poetry |
Abstract
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D. L. Karpov |
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| No 3 (2023) |
The features of metacyclization in rock poetry. On the example of the lyrics of the group “DDT” |
Abstract
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N. P. Belyaeva |
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| No 3 (2023) |
The postmodernism play in the pages Akunin’s novel “Zvezdukha” |
Abstract
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M. G. Elfimova |
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| No 3 (2023) |
Drama and theater in an artistic epic. “The Land of Elsa” by Yaroslava Pulinovich in Roman Senchin’s “Russian Winter” |
Abstract
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Yu. V. Domanskii |
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| No 3 (2023) |
“New” poetry of the 1900s and 1910s in T.E. Hulme’s aesthetics |
Abstract
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M. M. Dikun |
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| No 3 (2023) |
Linguistic representation of Paris in Jacques Prévert’s works |
Abstract
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O. A. Kulagina |
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| No 3 (2023) |
“How did I happen to be here?” Space of lost identity in “Three Sisters” by Anton Chekhov and “The Black Snowstorm” by Anastasia Bukreeva |
Abstract
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E. A. Mariakhina |
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| No 3 (2023) |
Changing the genre of the diary in V. Nabokov’s novel “Lolita” |
Abstract
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E. V. Shmeleva |
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| No 6 (2) (2022) |
Spatiality and temporality of artistic meaning |
Abstract
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Yu. V. Podkovyrin |
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| No 6 (2) (2022) |
Inversion as a phenomenon of narrative palimpsest. Sokolov’s ‘School for Fools’ and Sologub’s ‘The Petty Devil’ |
Abstract
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Zh. V. Shukina |
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| No 6 (2) (2022) |
Russian literary landscape. Between nature and history |
Abstract
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A. E. Bochkarev |
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| No 6 (2) (2022) |
‘And it is necessary that the Other goes...’. Bible quotes and their sources in Alexander Blok’s works |
Abstract
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D. M. Magomedova |
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| No 6 (2) (2022) |
We should not prevent people from going crazy’. Medical, social and artistic discourses in A.P. Chekhov’s ‘Ward no. 6’ and ‘The Black Monk’ |
Abstract
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M. M. Odesskaya |
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| No 6 (2) (2022) |
Grammatical and psychological reading of Platonov’s ‘Sharmanka’ (Barrel Organ) |
Abstract
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E. I. Myasnikov |
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| No 6 (2) (2022) |
‘What the hell are wolves?’ Vysotsky’s word in ‘Sheep Hunt’ by Boris Belokurov (Usov) |
Abstract
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Yu. V. Domanskii |
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| No 6 (2) (2022) |
‘Intuition of the radiant emptiness’ in the novel ‘Max’ and in the poetry books ‘The Light Behind the Trees’ and ‘The Sea, Today’ by A. Makushinsky |
Abstract
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L. V. Dubakov |
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| No 6 (2) (2022) |
The motif of violating the ban in medieval poems about the Swan Knight |
Abstract
PDF (Rus)
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O. V. Popova |
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| No 6 (2) (2022) |
Perception of personality and work of I. S. Turgenev in the story ‘The Revival’ by J. Barnes |
Abstract
PDF (Rus)
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Yu. V. Chernova, M. Nikolich |
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| No 6 (2) (2022) |
The image of a mirror in the construction of narcissistic intrigue in Chinese female prose. Based on the works of Lin Bai |
Abstract
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Jiang Xinyu |
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| No 6 (2022) |
Incarnation of meaning in a dramatic work |
Abstract
PDF (Rus)
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Yu. V. Podkovyrin |
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| No 6 (2022) |
The structure of the main character’s image in N.V. Gogol’s novel “The Overcoat” |
Abstract
PDF (Rus)
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A. S. Abdullaeva |
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| No 6 (2022) |
Semantics of transformation of literary space in the final scene of “The Cherry Orchard” by Anton Chekhov. The role of detail |
Abstract
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E. А. Maryakhina |
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| No 6 (2022) |
The poetics of sentimentalism in the work of M.M. Zoshchenko |
Abstract
PDF (Rus)
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Bao Tingting |
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| No 6 (2022) |
Love, death and speech. About two poems by O. Mandelstam and I. Brodsky |
Abstract
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A. А. Kudalina |
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